
The Sound of Silence
Song lyrics, Wednesday Morning, 3 A.M. (1964)
Copyright release found in this and several other publications of his conversations (note: copyright restrictions apply)
The Mystique of Enlightenment (1982)
The Sound of Silence
Song lyrics, Wednesday Morning, 3 A.M. (1964)
Message on mimeographed copies of lyrics distributed to fans in the 1930s, as quoted by Pete Seeger in an NPR interview "Pete Seeger remembers Woody" (1996)
Context: This song is Copyrighted in U. S., under Seal of Copyright #154085, for a period of 28 years, and anybody caught singin it without our permission, will be mighty good friends of ours, cause we don't give a darn. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that's all we wanted to do.
OSCON 2002
Context: Here's a simple copyright lesson: Law regulates copies. What's that mean? Well, before the Internet, think of this as a world of all possible uses of a copyrighted work. Most of them are unregulated. Talking about fair use, this is not fair use; this is unregulated use. To read is not a fair use; it's an unregulated use. To give it to someone is not a fair use; it's unregulated. To sell it, to sleep on top of it, to do any of these things with this text is unregulated. Now, in the center of this unregulated use, there is a small bit of stuff regulated by the copyright law; for example, publishing the book — that's regulated. And then within this small range of things regulated by copyright law, there's this tiny band before the Internet of stuff we call fair use: Uses that otherwise would be regulated but that the law says you can engage in without the permission of anybody else. For example, quoting a text in another text — that's a copy, but it's a still fair use. That means the world was divided into three camps, not two: Unregulated uses, regulated uses that were fair use, and the quintessential copyright world. Three categories.
Enter the Internet. Every act is a copy, which means all of these unregulated uses disappear. Presumptively, everything you do on your machine on the network is a regulated use. And now it forces us into this tiny little category of arguing about, "What about the fair uses? What about the fair uses?" I will say the word: To hell with the fair uses. What about the unregulated uses we had of culture before this massive expansion of control?
Interview of Robert Kraft by Patrick McCray on August 1-2, 2002 http://www.aip.org/history/ohilist/25490.html, Niels Bohr Library & Archives, American Institute of Physics.
Television broadcast (15 June 1970), quoted in John Campbell, Edward Heath (London: Jonathan Cape, 1993), p. 278.
Leader of the Opposition
Source: after 2000, Doubt and belief in painting' (2003), p. 51, note 60