“Ridicule parts social life like an invisible paling; and we are all of us afraid of the other. To this may be in great measure attributed the difference that exists between an author's writings and his conversation. The one is often sad and thoughtful, while the other is lively and careless. The fact is, that the real character is shown in the first instance, and the assumed in the second.”

The Monthly Magazine

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Letitia Elizabeth Landon785

English poet and novelist 1802–1838

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“I Have often thought if the minds of men were laid open, we should see but little difference between that of the wise man and that of the fool. There are infinite reveries, numberless extravagances, and a perpetual train of vanities which pass through both. The great difference is, that the first knows how to pick and cull his thoughts for conversation, by suppressing some, and communicating others; whereas the other lets them all indifferently fly out in words.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 225.
The Tatler (1711–1714)

“As a writer, my primary responsibility to readers is to write a story that is entertaining, and authentic. I wanted to write about characters who felt true to life, while also providing a way for readers to laugh at the foibles of others. Some of my characters are foolish, some are wise and kind, others are shallow and misguided. That’s how regular people behave too, and in fact we all cycle between many different ways of being…”

Uzma Jalaluddin (1980)

On writing characters in “Interviews with authors at EMWF: Uzma Jalaluddin” https://theontarion.com/2018/09/13/interviews-with-authors-at-emwf-uzma-jalaluddin/ in The Ontarion (2018 Sep 13)

“How different too would the real character be from that which is assumed; how little often do the most intimate know of each other. But the difference that the stranger might discover is nothing to that which we trace in ourselves.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.16. Ivanhoe — ROWENA.
Literary Remains

“We cannot judge either of the feelings or of the characters of men with perfect accuracy from their actions or their appearance in public; it is from their careless conversations, their half-finished sentences, that we may hope with the greatest probability of success to discover their real characters.”

Maria Edgeworth book Castle Rackrent

Castle Rackrent (1800), Preface; Tales and Novels, vol. 1, p. 9.

“We may not do as other parties, because we are not like the others. We are – and this cannot be too often repeated – separated from all other parties by an insurmountable barrier, a barrier that any individual can easily surmount; but once on the other side of it, and he is no Social Democrat. We are different from the others; “we are other than the others.””

Wilhelm Liebknecht (1826–1900) German socialist politician

What for the others are necessities and conditions of life are death to us.
No Compromise – No Political Trading (1899)

“There are, first of all, two kinds of authors: those who write for the subject’s sake, and those who write for writing’s sake. The first kind have had thoughts or experiences which seem to them worth communicating, while the second kind need money and consequently write for money.”

Arthur Schopenhauer (1788–1860) German philosopher

Essays, On Authorship and Style

“In our definition of system we noted that all systems have interrelationships between objects and between their attributes. If every part of the system is so related to every other part that any change in one aspect results in dynamic changes in all other parts of the total system, the system is said to behave as a whole or coherently.”

Arthur D. Hall (1925–2006) American electrical engineer

At the other extreme is a set of parts that are completely unrelated: that is, a change in each part depends only on that part alone. The variation in the set is the physical sum of the variations of the parts. Such behavior is called independent or physical summativity.
Source: Definition of System, 1956, p. 23

“Spinoza in particular belongs to the immortal authors. He is great because of the sublime simplicity of his thoughts and his way of writing, great because of his distance from all scholasticism, and, on the other hand, from all false embellishment or ostentation of language.”

Baruch Spinoza (1632–1677) Dutch philosopher

Friedrich Wilhelm Schelling, On the History of Modern Philosophy (1833) [Translated from the German by Andrew Bowie]
S - Z

“A character is never the author who created him. It is quite likely, however, that an author may be all his characters simultaneously.”

Albert Camus book The Rebel

Part 2: Metaphysical Rebellion; also quoted in Albert Camus : The Invincible Summer (1958) by Albert Maquet, p. 86; a remark made about the Marquis de Sade
The Rebel (1951)

“One of the pleasures of writing novels is that my characters usually do something. But in real life we often stay locked in a situation that we know is painful or wrong.”

John Twelve Hawks American writer

Against Authority: Freedom and the Rise of Surveillance States (2014)

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Letitia Elizabeth Landon785

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