“I wrote the Light of What We Know here..(at Yaddo), over several long stays. I'm not sure where I would have written it otherwise. I've been homeless since 2007, all my few possessions put into storage before I set off to travel across Europe and Asia. My journey was interrupted because of the deaths of loved ones and it was within the interruption that I began and finished writing the novel. Yaddo, I was told, might be a good place to write. … Yaddo turned out to suit me perfectly. A stately home—not English privilege but a Scooby Doo mansion—with woodlands, three lakes and magical charm, this charitable foundation has for a hundred years been host to giants such as James Baldwin, Saul Bellow, Philip Roth, Sylvia Plath and Truman Capote. I'm still homeless and have yet to resume my broken travels, but wherever I go, I know that Yaddo and its 400-acre stretch of God's own country was always a kind of home to me and helped to nurture In the Light of What We Know.”

“I knew it long ago: I'm a compulsive teacher, but I can't teach. The godawful state of today's education system isn't what's stopping me. I lack at least two of the essential qualifications.
I cannot "suffer fools gladly." The smartest of my pupils would get all my attention, and the rest would have to fend for themselves. And I can't handle being interrupted.
Writing is the answer. Whatever I have to teach, my students will select themselves by buying the book. And nobody interrupts a printed page.”

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

“Every story I've written was written because I had to write it. Writing stories is like breathing for me; it is my life.”

“About five years ago, somebody showed me some web sites that had my material all over them, and I thought that was fascinating. One reason was, I'd never seen my jokes written one right after another like that. I write on drawing paper—I don't even like lines on the paper—so I have notebooks all over the place with handwritten pieces of my act in them. So to see it go by, all typed out neatly, was like, "Wow." And then two or three years ago, someone showed me a site, and half of it that said I wrote it, I didn't write. Recently, I saw one, and I didn't write any of it. What's disturbing is that with a few of these jokes, I wish I had thought of them. A giant amount of them, I'm embarrassed that people think I thought of them, because some are really bad.”

“The only difference [between promoting a book and a CD] is when I do the readings. My fans are out there in full force, but it's nice to have all the kids there as well. I really love this evolution of writing. Writing is my core, and writing the book was like writing a really long love song. I have 31 pages to elaborate instead of three minutes. And my target audience, although it is children, I don't talk down to them. I want the parents to find it interesting. [Children] sit in my lap. I love it. I've always tried to turn an arena into an intimate setting. So, if I'm already in an intimate setting... You get to talk to a few hundred people, and you get to really bring them in, to have an exchange with them that often doesn't occur on the stage.”

“I gotta big mouth, I can't help it, I talk from my heart, I'm real you know what I'm sayin whatever comes comes. But my controverse problems, It's not my fault, I try to find my way in the world you know, I try to be somebody instead of just, make money off of everybody. You know what im saying, so I go down paths that haven't been traveled before and I usually mess up, but I learn, you know what I'm saying, I come back stronger, I'm not talking ignorant, you know what I'm saying. So obviously put thought into what I do. So I think my mouth, my controverse, I have not been out of the paper since I joined Digital Underground, I've been in all, you know what I'm saying, my name has not been not uttered, you know what I'm saying, and that's good for me because I don't wanna be forgotten. If I'm forgotten then that means I'm comfortable and that means I think everything is okay.”

“I was trying to solve the problem of this book. (My Life as a Man) When it seemed I never would, I stopped and wrote Our Gang; when I tried again and still couldn't write it, I stopped and wrote the baseball book; then while finishing the baseball book, I stopped to write The Breast. It was as though I were blasting my way through a tunnel to reach the novel I couldn't write. Each of one's books is a blast, clearing the way for what's next.”

“Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth... I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving.”

“Why do I write? I write because I have to, because it is all I know, because it is my truth, because I am compelled, because I am driven to make the world
acknowledge that women like me exist, and we possess a dangerous wisdom.”