“Normally, misprints are either easily corrected or else so trivial that it makes no difference whether we play the correct or the faulty version. … Nevertheless, on rare occasions, a misprint or slip of the pen may challenge our view of the musical language. These extreme cases may help us understand a little more about the way music acquires meaning, or what it means to say that the music makes sense.”

— Charles Rosen

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

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Charles Rosen 69

American pianist and writer on music 1927–2012

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Charles Rosen 69

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