Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120
“Yes, the aluminum paint... What happened, at least for me, is that when I first started painting I would see Pollock, de Kooning, and the one thing they all had that I didn't have was an art school background. They were brought up on drawing and they all ended up painting or drawing with the brush. They got away from the smaller brushes and, in an attempt to free themselves, they got involved in commercial paint and house-painting brushes, Still it was basically drawing with paint, which has the characterized almost all twentieth century painting. The way my own painting was going, drawing was less and less necessary. It was the one thing I wasn't going to do. I wasn't going to draw with the brush.”
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120
Help us to complete the source, original and additional information
Frank Stella 39
American artist 1936Related quotes
second side of the first tape
1975 - 1992, Oral history interview with Joan Mitchell, 1986
From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981), p. 207
1980s
“Do not say, "Draw the curtain that I may see the painting." The curtain is the painting.”
The Saviors of God (1923)
Context: "I do not know whether behind appearances there lives and moves a secret essence superior to me. Nor do I ask; I do not care. I create phenomena in swarms, and paint with a full palette a gigantic and gaudy curtain before the abyss. Do not say, "Draw the curtain that I may see the painting." The curtain is the painting.
Quote, Jan. 1921, to journalist Marcel Pays. Monet in the 20th Century, by Paul Hayes Tucker.
1920 - 1926
Source: 1950's, Interview by William Wright, Summer 1950, p. 144
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'