
Source: 1850s, A treatise on differential equations (1859), p. vi; cited in: Quotations by George Boole http://www-history.mcs.st-and.ac.uk/Quotations/Boole.html, MacTutor History of Mathematics, August 2010.
pg 121
Becoming A Barbarian (2016)
Source: 1850s, A treatise on differential equations (1859), p. vi; cited in: Quotations by George Boole http://www-history.mcs.st-and.ac.uk/Quotations/Boole.html, MacTutor History of Mathematics, August 2010.
Essays on Woman (1996), Problems of Women's Education (1932)
Chap. 12 : Reconnect to the Masculine or Feminine Within You
The Laws of Human Nature (2018)
Source: 1930s, Sex and Temperament in Three Primitive Societies (1935), p. 280, cited in Perspectives in Cultural Anthropology (1987) by Herbert A. Applebaum, p. 141
"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).
Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), pp. 15-16
“The purpose of debates is to explore issues, not end them.”
Source: Lord of the Silver Bow
“The bad debater never knows that one explanation is better than five.”
"The Aesthetics of Politics," p. 155
Essays in Disguise (1990)