“The freedom is far more important than the money. The endgame is to be an extremely famous artist in lots of museums all around the world so lots of people can see my work for free. I know what I'm making, I know it's good. I will reserve the right to paint the [bombed] bus or anything that is shocking in life. If someone wants to come and shoot me because they find that offensive, they can. As an artist, if you can't take that freedom, you're a wanker.”

— Stella Vine

Smith, David. "Art? It's like the sex trade" http://www.guardian.co.uk/artanddesign/2006/apr/23/art3, The Observer, (2006-04-23)
On artistic freedom.

Adopted from Wikiquote. Last update June 3, 2021. History

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Stella Vine 36

English artist 1969

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“What I lack are the skills of painting, the profession which I don't know, and now I see that the French [artists] possess this so extremely strong. I do believe that you can learn it all here. I am in Paris now. When someone is richer than me and he wants me to stay here for a year or half a year (for a few thousand francs) my future will have a lot of more certainty than when I must go back to Holland after eight days... I hope you will be able to fulfill my wish; I also put enough trust in you that you will do this, if you can. Waiting for your letter with a lot of anxiety, I remain”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

G.H. Breitner (translation from the original Dutch, Fons Heijnsbroek)
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Wat mij mankeert is de manier van schilderen, 't métier dat ik niet ken, en wat ik nu zie dat de Franschen zoo buitengewoon sterk bezitten. en wat ik wel geloof dat men hier leeren kan. Ik ben nu in Parijs. Wanneer iemand rijker is dan ik mij hier een jaar of een half jaar (voor een paar duizend francs) wil laten blijven, is mijn toekomst vrij wat zekerder, dan dat ik na acht daag weer naar Holland moet terugkeeren.. .Ik hoop dat U in staat zult zijn mijn wensch te verwezentlijken; ik stel ook genoeg vertrouwen in U dat ge dat doen zult als ge kunt. Met de meeste angst Uw brief te wachten, blijf ik' - tt G.H. Breitner.
In Breitner's letter to A.P. van Stolk from Paris, 5 Juin, 1884; as cited in Breitner en Parijs – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382, by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, p. 16
before 1890

“I get that a lot because I've hung around with a lot of artists and I'm very close to a lot of them. I'm very involved in their work; I think a lot of my ideas have grown out of it, and that there's been some give and take.”

Frank Gehry (1929) Canadian-American (b.1929)

Source: Jeremy Gilbert-Rolfe, Frank Gehry, The City and Music (2002)

“It's more like I'm having an experience than making a picture. So I've never had anyone around. I never have. People are different, but I have to really be with no interference. And it takes me hours. Painting a picture is a very short thing if it goes well, but the sitting and thinking... I usually go off on stories that have nothing to do with the painting, and sometimes I sit in the opposite room to where I work. If I can get a good hot story I can paint better, but sometimes I'm not thinking about the painting, I'm thinking about the subject. Lots of times I'll sit in another room and then I might just go in. It takes a lot of freedom. I'm working for two years on a subject now: ten paintings, and that can carry on for two years. I worked last summer and I started this summer and with just the simplest motif I just can't seem to do it. And everything slowed down.”

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), pp. 179-180

“I made a metamorphose, I'm a new person today, because I used to strongly and honestly, honestly! I feel like I can represent my generation so much because I honestly did not care whether I lived or died. But now I can not die, with people thinking I'm a rapist or a criminal, I can not leave until this shit is straight, you know I'm not suicidal. I can't go until ya'll really know what time it is. And then after that, BOOM!, It's all over and we can see how this shit fall, but that's how it is, and the reason being is because if I can't live free, if I can't live with the same respect as the next man, I don't wanna be here, because god has cursed me to see what life should be like, If God wanted me to be this person and be happy here, he wouldn't let me feel so oppressed, he wouldn't let me feel so trampled on, you know what I'm saying, he wouldn't let me think the things I think. So I feel I'm doing Gods work, you know what I'm saying just because I don't have nothing to pass around for people to put money in a bucket don't mean I ain't doing God's work.”

Tupac Shakur (1971–1996) rapper and actor

1990s, Ed Gordon interview (1994)

“In the works I paint [now] I can't see any guarantee that I shall make progress.... while better skilled people [artists] - even though their work does not seem so good at the moment - can move forward much more easily.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
Er is in wat ik maak geen waarborg, dat ik vooruit zal gaan.. ..terwijl beter geschoolde lui, ook al lijkt hun werk op het ogenblik niet zoo goed, veel eer, verder kunnen komen.
Breitner, quoted by Jan Veth, in Portretstudies en silhouetten, J. Veth; Amsterdam 1908, p. 204
Jan Veth is remembering Breitner's remark from an earlier walk they made together
1900 - 1923

“I wasn’t really shocked or anything. Because of what I saw after the incident after the NFC championship game. You’ve got a lot of racial backlash, and a lot of racist comments that were uncalled for – I can never see a time where racism is called for. So it didn’t shock me as much as it would have had I not experienced that personally, had I not seen those things. Because it showed me that America still had some progress to make. On equality, and understanding that it doesn’t matter what color you are, you treat people as people. And whether a good person or a bad person, you don’t judge them off the color of their skin. You can know a person is a good person or a bad person by who they are, not by what they look like. In that situation, it just seems like a lot of people gave him a lot of flack, well deserved, but you know – I feel like a lot more people were surprised then they should have been.”

Richard Sherman (American football) (1988) American football player

About Donald Sterling's racist remarks.
The NFL Would Not Have Banned A Donald Sterling For Life (May 7, 2014)

“Money doesn’t mean anything to me. I’ve made a lot of money, but I want to enjoy lie and not stress myself building my bank account. I give lots away and live simply, mostly out of a suitcase in hotels. We all know that good health is much more important.”

Keanu Reeves (1964) Canadian actor, director, producer and musician

“I work a lot and I think a lot. I really want to try to paint on glass.. Please will you ask him [mr. architect Taut ] if there are any transparent colors, which one can use to paint on the glass directly... I want to dispose of a new technique in which the artist can paint on the glass directly instead of canvas. When one wants to reach colors spiritually-bright, then a time will come that oil-paint and canvas are no longer suitable... So, if you have time, please ask Mr. Taut if he understands my view and maybe he knows the ways how I can follow my direction.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich arbeite sehr viel und denke sehr viel. Ich möchte so gern versuchen, auf Glas zu mahlen. .. ..bitte fragen sie ihn dann [Herr Taut] ob es transparante Farbe gibt, womit man gleich auf Glas malen kann. .. ..ich möchte eine neue Technik haben, dass der Künstler so direkt das Glas verwenden kann statt Leinwand. Wenn man die Farben leuchtend geistlich haben will, dann wird es eine Zeit kommen, dass Oelfarben und Leinwand sich dafür nicht mehr eignen.. ..So wenn Sie Zeit haben, fragen Sie dann Herrn Taut ob er meine Idee versteht und vielieich den Weg kennt, den ik gehen müsse.
in a letter to Herwarth Walden, 11 Nov. 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
It was not until April 1918 that Jacoba wrote Walden she had decided to submit a series of designs for stained glass windows for the upcoming 'Sturm' exhibition - in April 1919 she sent him ten stained-glass windows, 'Nrs. 12-26'
1910's

“I think that a lot of people don't get it and a lot of people don't know what to make of me. And, you know what? I'm OK with that.”

Lady Gaga (1986) American singer, songwriter, and actress

Source: The world goes crazy for Lady Gaga (2009)
Context: I have found that my work has to be both deep and shallow … All of my songs have meaning, all of my clothing has iconography buried into it. But by the same token, it's just as special if you look at it in its shallowest form. A quick moment of melody, a beautiful dress. People think, "Gaga's so sweet", or "Gaga sucks". The point is that it's memorable. For commercial art to be taken seriously as fine art is a very unusual and difficult task. I think that a lot of people don't get it and a lot of people don't know what to make of me. And, you know what? I'm OK with that.

“I didn't plan on rock 'n' roll. I wanted to learn jazz; I got to know some people doing rock 'n' roll with jazz, and I thought I could make money playing music. In rock 'n' roll you can realize anything that you can in jazz or anything. There's no limitation other than the beat. You have more freedom than you do in anything except jazz — which is dying — as far as making any money is concerned.”

Robby Krieger (1946) American rock guitarist and songwriter

Comment posted at his official website http://www.robbykrieger.com.

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