“I made a metamorphose, I'm a new person today, because I used to strongly and honestly, honestly! I feel like I can represent my generation so much because I honestly did not care whether I lived or died. But now I can not die, with people thinking I'm a rapist or a criminal, I can not leave until this shit is straight, you know I'm not suicidal. I can't go until ya'll really know what time it is. And then after that, BOOM!, It's all over and we can see how this shit fall, but that's how it is, and the reason being is because if I can't live free, if I can't live with the same respect as the next man, I don't wanna be here, because god has cursed me to see what life should be like, If God wanted me to be this person and be happy here, he wouldn't let me feel so oppressed, he wouldn't let me feel so trampled on, you know what I'm saying, he wouldn't let me think the things I think. So I feel I'm doing Gods work, you know what I'm saying just because I don't have nothing to pass around for people to put money in a bucket don't mean I ain't doing God's work.”

Referring to losing her virginity to ex-boyfriend Justin Timberlake. <br class="br"> Diane Sawyer interview http://sixtyminutes.ninemsn.com.au/sixtyminutes/stories/2003_11_23/story_1024.asp, 60 Minutes (23 November 2003)

Letter to his brother Jeff from Guadalcanal (28 January 1943); p. 28
To Reach Eternity (1989)
Context: I'm going to ask you something. If I do get killed, and I honestly don't see how I can help it, I want you to write that book we were thinking about when I enlisted. If I get it, it's a cinch I won't be able to do it, and it would make me feel a whole lot better to know that if not my name and hand, at least, the thot of me would be passed on and not forgotten entirely. You know, sort of put into the book the promise that I had and the things I might have written so at least the knowledge of talent wasted won't be lost... If I get it, no one will ever know to what heights I might have gone as a writer. Maybe if you wrote about the promise that was there, all wouldn't be lost.

1990s, Ed Gordon interview (1994)

2010s, 2011

Source: The Sand Pebbles (1962), Ch. 19; marriage ceremony of Maily and Frenchy
Context: He had a light in his gaunt face and his voice and manner were strangely solemn. The were all a bit afraid of him. … "We're mixing our lives together, Maily, and we'll never be able to unmix them again, and we'll never want to." His voice was strong but tender, and he was smiling down at here. "I take you for what you are, and all that you are, and mix you with all of me, and I don't hold back nothing. Nothing! When you're cold, and hungry, and afraid, so am I. When you're happy, so am I. I'm going to stay with you all that I can, take the very best care of you that I can, and love you every minute until I die." He took a deep, slow breath. "Now you say it"
"I will always love you and honor you and serve you, Frenchy, and stay as near to you as I can, and do everything for you, and live for you, and I won't have any life except our life together…" Tears welled out of her eyes but she smiled steadily up without blinking. "I will just love you, Frenchy, all of me there is just loving you forever."

Source: 1980s-1990s, Sensemaking in Organizations, 1995, p. 25
Context: In the recipe, How can I know what I think until I see what I say, saying equates to variation, seeing equates to selection of meaning in what was said, and thinking equates to retention of an interpretation. The retained interpretation may then be imposed subsequently to interpret similar saying (retention is credited) in order to construct cumulative understanding, test past labels for their validity, or generalize older labels to newer events.

Bush press secretary Scott McClellan, on the cocaine rumors that surfaced during the 2000 campaign, What Happened, pp. 48-49

On letting his work speak regarding race and class in “James McBride Says Fiction Writing Allows Him More Freedom” https://www.npr.org/2017/10/01/554933082/james-mcbride-says-fiction-writing-allows-him-more-freedom in NPR (2017 Oct 1)