“I started in, got it [former Monet's house, where he lived 1878 - 1881 in Vetheuil; [Mitchell bought the house and used it mainly first in the weekends] in summer of 67, Yeah, well, and then I started... I was still painting at Fremicourt and I remember starting the 'Sunflowers' [series, c. 1969-72], which I saw in Vetheuil and painted them in Fremicourt, you see... The thing about [the studio in] Fremicourt, also about St. Marks: I had to roll [large] paintings to get them out, which was a real drag, because of thickness [of the paint which cracked]. And when I started painting in Vetheuil, you can just take the [stretched] paintings out [in open air]. Well, that really changed unconsciously an awful lot of... Walk them out stretched, it's great.”

— Joan Mitchell

second side of the first tape
1975 - 1992, Oral history interview with Joan Mitchell, 1986

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Joan Mitchell 17

American painter 1925–1992

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Tape number two, side A
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Original: C’est en passant que Casagemas était mort que je me suis mis à piendre en bleu

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