“Almost alone among cognitive-aesthetic movements and strategies of interpretation, deconstruction neither champions any body of past literature or art, nor does it act as vanguard or advocate for any contemporary or incipient school. The New Criticism and T. S. Eliot strove for the revaluation of Metaphysical poetry so as to underwrite, in turn, certain tactics of modenity. Aristotle was advocate for Sophocles. Deconstruction is, intentionally, marginal (a key trope) to all histories of taste and manifestos for innovation.”

“I had always had grave doubts about Eliot's taste and, indeed, intelligence. [T. S. Eliot Memorial Lecture, broadcast on BBC Radio 3, 1980]”

“Even where it is manipulated by major talents, deconstruction tends to bear either on marginal texts (Sade, Lautréamont), or on secondary work by a great writer (Barthes on Balzac's Sarrazine). The classics of deconstruction, in Jacques Derrida or Paul De Man, are "misreadings" not of literature but of philosophy; they address themselves to philosophical linguistics and the theory of language. The masks they seek to strip off are those worn by Plato, by Hegel, by Rousseau, by Nietszche or Saussure. Deconstruction has nothing to tell us of Aeschylus or Dante, of Shakespeare or Tolstoy.”

“Instead of any monism, these essays put forward a Pluralism: they advocate an eternal or metaphysical world of many minds, all alike possessing personal initiative, real self-direction, instead of an all-predestinating single Mind that alone has real free-agency.”

“Appeals to the past are among the commonest of strategies in interpretations of the present.”

“Though acts of reception and of understanding are in some measure fictions of ordered intuition, myths of reason, this truth does not justify the denial of intentional conduct. It is as absurd to discard as mendacious, as anarchically opaque, the bearing of contextual probability and suggestion, as it is to invest in such probability any blind trust. The negations of post-structuralism and of certain varieties of deconstruction are precisely as dogmatic, as political as were the positivist equations of archival historicism. The "emptiness of meaning" postulate is no less a priori, no less a case of despotic reductionism than were, say, the axioms of economic and psycho-sociological causality in regard to the generation of meaning in literature and the arts in turn-of-the-century pragmatism and scientism.”

“The ANC has never at any period of its history advocated a revolutionary change in the economic structure of the country, nor has it, to the best of my recollection, ever condemned capitalist society.”

“I am not ashamed to admit that I belong to those who fantasize that literature is capable of bringing new horizons and new perspectives — philosophical, religious, aesthetical and even social. In the history of old Jewish literature there was never any basic difference between the poet and the prophet. Our ancient poetry often became law and a way of life.”

“But I'm not here to talk about postmodernism. I tried to do that last spring, and afterwards I was thoroughly deconstructed by the deconstructionists for attempting to deconstruct deconstructionism. At least, that's the construction I put on their construction of it. I was talking about postmodern culture, and they thought I was talking about postmodern literature. Not at all the same thing!”

“I was the living proof of T. S Eliot's assertion that poetry can communicate before it is understood. the conscious, analytical part of my response was lulled into a kind of stupor by the rhythms and richness of the imagery of the poetry I was reading.”