“I began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn't have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, I'm sure he was thinking about a lot of different things: "Who're the right actors for these roles?" "How should this be staged?" "Do I really want to set this in Denmark?" His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. "Is the financing in place?" "Are there enough good seats for my patrons?" "Where am I going to get a human skull?"”

— Bob Dylan

I would bet that the farthest thing from Shakespeare's mind was the question "Is this literature?"
Nobel Banquet Speech

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Bob Dylan 523

American singer-songwriter, musician, author, and artist 1941

James Jones (1921–1977) American author

Letter to his brother Jeff, from Hawaii (7 April 1941); p. 11
To Reach Eternity (1989)

“I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn't have actresses then.”

Julia Stiles (1981) American actress

Daily News, April 12, 1999.

“We began talking about the characters and he opened up about his vision. He's extremely thoughtful and sees grand issues both social and political in an interesting way. Quite honestly, I wasn't certain how some of his ideas were applicable to the screenplay, but he was heartfelt and adamant about them. And I remember completely going with it.”

Madeleine Stowe (1958) American actress

On talking with Michael Mann about his screenplay for Last of the Mohicans.
Mohican Press interview (2005)

“(on her marriage to Andrew Lloyd Webber) It was such a creative time. Everything was happening very fast. He was writing, I was singing. He was inspired, and I was inspired. I didn't really have time to think about it. I didn't really have time to read things about it, either. I got a sense of things, which made me quite nervous at times. But, no, we were running all the time then, doing things. It was fun, but also a lot of pressure.”

Sarah Brightman (1960) British soprano, musical theatre actress, and dancer

The Irish Times (1999)

“I’ve spent a lot of time in London over the last few years and I liked the idea of the Mughal emperor Babur meeting with modern-day disaffected youth and talking to them about their actions. He was a sharp literary critic who could be very sweeping and cruel about poetry if he thought it was bad poetry, and he said some fantastic things that I quoted word for word in the opera. I read the Baburnama – the memoirs of Babur – and quoted lines from it. “Writing badly will make you ill.” What a beautiful thing to say. I read that book and I thought, how dramatic! If he had been a figure in western history it would have been an opera. War, murder, love, tragedy, poetry. It always jumped out at me as something worth doing.”

Jeet Thayil (1959) Indian writer

Jeet Thayil: Confessions of an Indian Opium-Eater

“I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

“For the only reason (I came to think) for God to inspire the Bible would be so that his people would have his actual words; but if he really wanted to have his actual words, surely he would have miraculously preserved those words, just as he had miraculously inspired them in the first place.”

Bart D. Ehrman book Misquoting Jesus

Conclusion
Misquoting Jesus (2005)

“"The parts I like, well…" He shook his head, with pursed lips. "They just don't have anything to do with me: somebody else wrote them, it seems, about things I may have thought about once. The parts I don't like--well, I can remember writing those, oh yeah, word by word by word."”

Samuel R. Delany book Dhalgren

Part IV, "In Time of Plague" (p. 357)
Dhalgren (1975)

“His name was William Saroyan. He was the first writer I fell in love with, boyishly in love. I was held by his unaffected voice, his sentimentality, his defiant individualism. I found myself in the stories he told… I learned from Saroyan that you do not have to live in some great city — in New York or Paris — in order to write… When I was a student at Stanford, a generation ago, the name of William Saroyan was never mentioned by any professor in the English Department. William Saroyan apparently was not considered a major American talent. Instead, we undergraduates set about the business of psychoanalyzing Hamlet and deconstructing Lolita.”

Richard Rodríguez (1944) American journalist and essayist

In my mind Saroyan belongs with John Steinbeck, a fellow small town Californian and of the same generation. He belongs with Thornton Wilder, with those writers whose aching love of America was formed by the Depression and the shadow of war. … Saroyan's prose is as plain as it is strong. He talks about the pleasure of drinking water from a hose on a summer afternoon in California's Central Valley, and he holds you with the pure line. My favorite is his novel The Human Comedy... In 1943, The Human Comedy became an MGM movie starring Mickey Rooney, but I always imagined Homer Macaulay as a darker, more soulful boy, someone who looked very much like a young William Saroyan...
"Time Of Our Lives" (26 May 1997) http://www.cilicia.com/armo22_william_saroyan_6.html

“He always lived in his head. He never cared about how things were, only how they would be, someday, when he had everything he wanted. When we had everything we wanted.”

Cassandra Clare book Clockwork Angel

Source: Clockwork Angel

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