L'espoir [Man's Hope] (1938)
“One always speaks badly when one has nothing to say.”
On parle toujours mal quand on n'a rien à dire.
"Commentaires sur Corneille," Oeuvres complètes de Voltaire (1827)
Citas
Source: 1980s, The Ecstasy of Communication (1987), p. 30
Source: The Science of Illusions; English translation by Franklin Philip (emphasis added).
Context: Political, scientific, or religious debates are often distorted according to an immutable principle: one brings together the person who is wrong, who is a hardened demagogue, and whose cause one secretly espouses, to face an opponent who is right but who does not know the case well enough to counter his adversary on precise technical points.
Take the case of the charlatan who claims to transmit thoughts at a distance. A newspaper that claims to be objective, well-balanced, reader-respectful, and nonpartisan will put two discourses in opposition: that of the charlatan who claims to have abilities not explained by physics, and that of critics: academicians or Nobel Prize winners who will bring out their authority, express their righteous indignation, say that they cannot give any credence to a phenomenon so manifestly opposed to the most sacred laws of physics, and the like. The reader to whom the two contradictory discourses have been served up will not fail to congratulate the newspaper for its remarkable objectivity.
The only one who will not be given the floor is the professional magician who "knows the trick" and could perform it without further ado for the public. Had he been allowed to speak, the reader would understand everything right away, and there would be nothing left to write in the next few days on this subject. The whole art thus consists of getting the charlatans to speak on the one hand and the distinguished scientists to speak on the other, provided the latter have nothing relevant to say on the subject. But it sometimes happens, alas, that an independent journal comes along and lets the cat out of the bag.
“When he has nothing to say, he lets words speak.”
J. Agee, trans. (1989), p. 147
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)
quote in 1946
As quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 439
1940s
Quote of Ad Reinhardt (1963); as cited in: Joseph Kosuth, (1969), " Art after Philosophy http://www.ubu.com/papers/kosuth_philosophy.html"
1956 - 1967
Variant: The one thing to say about art is that it is one thing. Art is art-as-art and everything else is everything else. Art as art is nothing but art. Art is not what is not art.
Original French: Il est donc tout simplement faux que ce dont on ne peut parler (au sens ou il n'y a rien à en dire qui le spécifie, qui lui accorde des propriétés séparatrices), il faille le taire. Il faut au contraire le nommer...
From Manifesto for Philosophy. Albany: State University of New York Press, 1999. ISBN 0791442209.
The quote is a commentary on Ludwig Wittgenstein, "Whereof one cannot speak, thereof one must be silent".
Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: "Thou art not alone, and thou dost not belong to thyself. Thou art one of My voices, thou art one of My arms. Speak and strike for Me. But if the arm be broken, or the voice be weary, then still I hold My ground: I fight with other voices, other arms than thine. Though thou art conquered, yet art thou of the army which is never vanquished. Remember that and thou wilt fight even unto death."
"Lord, I have suffered much!"
"Thinkest thou that I do not suffer also? For ages death has hunted Me and nothingness has lain in wait for Me. It is only by victory in the fight that I can make My way. The river of life is red with My blood."
"Fighting, always fighting?"
"We must always fight. God is a fighter, even He Himself. God is a conqueror. He is a devouring lion. Nothingness hems Him in and He hurls it down. And the rhythm of the fight is the supreme harmony. Such harmony is not for thy mortal ears. It is enough for thee to know that it exists. Do thy duty in peace and leave the rest to the Gods."
Life Without and Life Within (1859), The One In All
Context: A single thought transfuses every form;
The sunny day is changed into the storm,
For light is dark, hard soft, and cold is warm.One presence fill and floods the whole serene;
Nothing can be, nothing has ever been,
Except the one truth that creates the scene.</p
The Uttarpara Address (1909)
Context: This is the word that has been put into my mouth to speak to you today. What I intended to speak has been put away from me, and beyond what is given to me I have nothing to say. It is only the word that is put into me that I can speak to you. That word is now finished. I spoke once before with this force in me and I said then that this movement is not a political movement and that nationalism is not politics but a religion, a creed, a faith. I say it again today, but I put it in another way. I say no longer that nationalism is a creed, a religion, a faith; I say that it is the Sanatan Dharma which for us is nationalism. This Hindu nation was born with the Sanatan Dharma, with it it moves and with it it grows. When the Sanatan Dharma declines, then the nation declines, and if the Sanatan Dharma were capable of perishing, with the Sanatan Dharma it would perish.
