“Above all, we [the Italian Futurist painters] continue and develop the divisionist principle, but we are not engaged in Divisionism [developed by Seurat and Signac ]. We apply an instinctive complementarism which is not, for us, an acquired technique, but rather a way of seeing things.”

— Luigi Russolo

Quote of Russolo in: Le Futurisme: Création et avant-garde, Giovanni Lista, 2001; as cited in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 47.
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Luigi Russolo11

Electronic music pioneer and Futurist painter 1885–1947

Gardiner C. Means (1896–1988) American economist

Source: "The Distribution of Control and Responsibility in a Modern Economy", 1935, p. 64

“Your eyes, accustomed to semi-darkness, will soon open to more radiant visions of light. The shadows which we shall paint shall be more luminous than the high-lights of our predecessors, and our pictures, next to those of the museums, will shine like blinding daylight, compared with deepest night. We conclude that painting cannot exist today without divisionism... w:Divisionism - [ Paul Signac initiated divisionism slightly earlier, together with Seurat ] - for the modern painter, must be an innate complementariness which we declare to be essential and necessary.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 92.
1910, Manifesto of Futurist Painters,' April 1910

“Among the painters of our day who have helped me develop are Carlo Carra [famous Futurist painter] and Ardengo Soffici; their work and writings have in my opinion been a beneficial influence on where Italian art is going today.”

Giorgio Morandi (1890–1964) Italian painter

in Autobiografia, G. Morandi; (1928); as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 44
1925 - 1945

“[Severini characterized his approach to the importance of Divisionism for Futurism as].. a consequence of Neo-Impressionism (Seurat, Signac) and Van Gogh, Toulouse Lautrec, Degas.. [compared to that of his Milanese colleagues who works were] influenced by Jugendstil [and] a continuation of the Lombardian tradition of Segantini, Previati..”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 37; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 31

“Don't you understand that we need to be childish in order to understand? Only a child sees things with perfect clarity, because it hasn't developed all those filters which prevent us from seeing things that we don't expect to see.”

Douglas Adams book Dirk Gently's Holistic Detective Agency

Source: Dirk Gently's Holistic Detective Agency

“Understanding human motivation ought to be a good thing. It should help us to find out what we really want so that we can avoid chasing rainbows that are not for us. It should open up opportunities for self-development if we apply motivational principles to pursuing our goals in life.”

David C. McClelland (1917–1998) American psychological theorist

David C. McClelland (1978). "Managing motivation to expand human freedom". American Psychologist. 33 (3): 201

““We don’t develop and acquire courage by taking the smoothest path each time. We develop it by facing misfortune and perilous conditions.””

Gandolfo – (RJ Intindola)

1989

“All around us lies what we neither understand nor use. Our capacities, our instincts for this our present sphere are but half developed.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

"Good Sense" in a dialogue between Free Hope, Old Church, Good Sense, and Self -Poise. p. 127.
Summer on the Lakes, in 1843 (1844)
Context: All around us lies what we neither understand nor use. Our capacities, our instincts for this our present sphere are but half developed. Let us confine ourselves to that till the lesson be learned; let us be completely natural; before we trouble ourselves with the supernatural. I never see any of these things but I long to get away and lie under a green tree and let the wind blow on me. There is marvel and charm enough in that for me.

“We can license technologies and production techniques. Whoever gets the technologies can develop new things based on them.”

Ren Zhengfei (1944) Chinese businessman

Interview with the Economist (September 10, 2019)

“The artist's tool or the traditional artist's brush and maybe even oil paint are all disappearing very quickly. We use mostly commercial paint, and we generally tend toward lager brushes. In a way, Abstract Expressionism started this all. De Kooning used house painter's brushes and house painters' techniques.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120

“Above all, we [the Italian Futurist painters] continue and develop the divisionist principle, but we are not engaged in Divisionism [developed by Seurat and Signac ]. We apply an instinctive complementarism which is not, for us, an acquired technique, but rather a way of seeing things.”

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Luigi Russolo11

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