
Source: The Anti-Post-Modern Post-Modernist http://errolmorris.com/content/lecture/theantipost.html
Jill Lepore, The Secret History of Wonder Woman (2014), p. 136.
Source: The Anti-Post-Modern Post-Modernist http://errolmorris.com/content/lecture/theantipost.html
“With every artist comes the image he portrays and the picture that he paints”
"One Day at a Time" (featured on Tupac: Resurrection, 2003)
2000s
“A picture whether or not it is really true to fact must above all things appear true.”
Source: Part II : Practical Pictorial Photography, Clouds in their relation to the landscape, p. 29
Boisgeloup, winter 1934
Richard Friendenthal (1963, p. 256).
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Sesame and Lilies.
Context: When men are rightly occupied, their amusement grows out of their work, as the colour-petals out of a fruitful flower;—when they are faithfully helpful and compassionate, all their emotions become steady, deep, perpetual, and vivifying to the soul as the natural pulse to the body. But now, having no true business, we pour our whole masculine energy into the false business of money-making; and having no true emotion, we must have false emotions dressed up for us to play with, not innocently, as children with dolls, but guiltily and darkly.
“Fernand Léger's film, 'Ballet Mecanique' is the result of the desire for a picture in motion.”
1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)
Otto Neurath (1931), "Bildstatistik nach Wiener Methode", Die Volksschule 27 (1931): 569 ; Translated and cited in Sybilla Nikolow (2013) "‘Words Divide, Pictures Unite.’Otto Neurath’s Pictorial Statistics in Historical Context."
1930s
“The Birds could be the most terrifying motion picture I have ever made.”
Movie trailer for the 1960s film The Birds.