“(When asked about pop music) Pop music has become the largest farce in music history. It is soul-less, mechanical, and only made for the sole purpose of making the fastest dollar possible, with more emphasis on imagery than the music. I would much rather remain an independent recording artist who can dictate his own creativity and make it available to a smaller community of fans then sign with a major label under conditions of compromising my work just to sell lunch boxes and sound like every other thing out there. The only artists that have any longevity are the ones that pioneer a movement not follow a movement. The hundreds of following wannabes always get left in the dust or remain one-hit-wonders.”

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE 3-4
1930s

Peter Quince at the Clavier (1915)
Context: Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,
Thinking of your blue-shadowed silk,
Is music.

DeRogatis, Jim. "Is She for Real?" http://www.findarticles.com/p/articles/mi_qn4155/is_20050719/ai_n14877317. Chicago Sun-Times. July 19 2005. Retrieved October 25 2006.

From "Courtney Love does the math", a speech given on the corruption of the music industry, from Salon.com http://www.salon.com/2000/06/14/love_7/ (14 June 2000)
1996–2005

Pop Chronicles, Show 1 - Play A Simple Melody: Pete Seeger on the origins of pop music http://digital.library.unt.edu/ark:/67531/metadc19745/m1/, interview recorded 2.14.1968 http://web.archive.org/web/20110615153027/http://www.library.unt.edu/music/special-collections/john-gilliland/o-s.

As quoted in Huh (10 October 1996).
1990s

UK Sunday Times, 5/9/04

Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

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Inside Connection, February 2004