
“We saw a knot of others, about a baker's dozen.”
Source: Gargantua and Pantagruel (1532–1564), Fifth Book (1564), Chapter 22.
Mrs. Venable, Scene One
Suddenly Last Summer (1958)
“We saw a knot of others, about a baker's dozen.”
Source: Gargantua and Pantagruel (1532–1564), Fifth Book (1564), Chapter 22.
“Often we are so busy with sawing that we forget to sharpen the saw..”
First Things First (1994), Disputed
“We looked! Then we saw him
Step in on the mat!
We looked! And we saw him!
The Cat in the Hat!”
The Cat in the Hat (1957)
The Paris Review interview (1994)
Context: Kerouac had lots of class — stumbling drunk in the end, but read those last books. He never blames anybody else; he always blames himself. If there is a bad guy, it’s poor old drunk Jack, stumbling around. You never hear him railing at the government or railing at this or that. He likes trains, people, bums, cars. He just paints a wonderful picture of Norman Rockwell’s world. Of course it’s Norman Rockwell on a lot of dope.
Jack London had class. He wasn’t a very good writer, but he had tremendous class. And nobody had more class than Melville. To do what he did in Moby-Dick, to tell a story and to risk putting so much material into it. If you could weigh a book, I don’t know any book that would be more full. It’s more full than War and Peace or The Brothers Karamazov. It has Saint Elmo’s fire, and great whales, and grand arguments between heroes, and secret passions. It risks wandering far, far out into the globe. Melville took on the whole world, saw it all in a vision, and risked everything in prose that sings. You have a sense from the very beginning that Melville had a vision in his mind of what this book was going to look like, and he trusted himself to follow it through all the way.
" The Runaway http://www.poemhunter.com/poem/runaway-the/" (1923)
1920s
Reaction shortly after learning about the death of Libyan leader Muammar Gaddafi, CBS News interview, October 20, 2011 Daily Mail http://www.dailymail.co.uk/news/article-2051826/We-came-saw-died-What-Hillary-Clinton-told-news-reporter-moments-hearing-Gaddafis-death.html CBS News http://www.cbsnews.com/8301-503544_162-20123348-503544/clinton-on-qaddafi-we-came-we-saw-he-died/
Secretary of State (2009–2013)
On painter Rufino Tamayo.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)
Context: He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"
Space: What love's got to do with it - The Space Review (2004)
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)