Source: The transformation of corporate control, 1993, p. 33
“What course of action do you favor?”
“Me? Why, none. Mary, if there is any one thing I have learned in the past couple of centuries, it’s this: These things pass. Wars and depressions and Prophets and Covenants—they pass. The trick is to stay alive through them.”
Methuselah’s Children (p. 539)
Short fiction, The Past Through Tomorrow (1967)
Source: The Heritage Universe, Summertide (1990), Chapter 13, “Summertide Minus Ten” (p. 151)
Was sollen aber die buntschäckigten Balletten in den Opern? Balletten, die auf die Oper nicht die geringste Beziehungen haben. Verderben sie nicht alle mögliche Wirkung, die sie in ihrem Gange gewaltsam unterbrechen?
32
Etwas von und über Musik fürs Jahr 1777
“I do not choose to choose what I choose.”
Source: 2010s, Free Will (2012), p. 39
Vorkosigan Saga, Memory (1996)
Context: His mother had often said, "When you choose an action, you choose the consequences of that action." She had emphasized the corollary of this axiom even more vehemently: when you desired a consequence you had damned well better take the action that would create it.
As quoted in "Song Kang Ho and Ko Asung Talk SNOWPIERCER, Working with Director Bong Joon Ho, Reuniting to Play Father and Daughter & Working with Hollywood Stars" in Collider (28 June 2014) https://collider.com/song-kang-ho-ko-asung-snowpiercer-interview/
