Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona
“I took down my portfolio, to select a drawing to copy in oil. He had never seen my works before, and appeared astonished as his eyes ranged over the sheets. He expressed the warmest admiration, and said, "How hopeless must be the task of my giving any instruction to one who can draw like this?" I pointed out to him that nature is the great study for the artist, and assured him that the reason why my works pleased him was because they are all exact copies of the works of God, — who is the great Architect and perfect Artist; and impressed on his mind this fact, that nature indifferently copied is far superior to the best idealities.”
On a meeting with a young artist, Mr. J. B. Kidd, Ch. X, p. 140
The Life and Adventures of John James Audubon, the Naturalist (1868)
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John James Audubon 6
American ornithologist, naturalist, and painter 1785–1851Related quotes
A dîner, il nous disait qu'il se trouvait beaucoup mieux, et nous lui avons fait observer, à ce sujet, que, depuis quelque temps néanmoins, il ne sortait plus, et travaillat huit, dix, douze heures par jour.
«C'est cela même,» disait-il: «le travail est mon élément; je suis né et construit pour le travail. J'ai connu les limites de mes jambes, j'ai connu les limites de mes yeux; je n'ai jamais pu connaître celles de mon travail.»
Mémorial de Sainte Hélène, Volume 6, p. 272 https://play.google.com/books/reader?id=qSliAAAAcAAJ&printsec=frontcover&output=reader&hl=en&pg=GBS.PA272
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In his letter to brother Theo, from The Hague, The Netherlands in December 1881; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 166)
1880s, 1881
But that was a false image of God. The way Anton LaVey saw God also affected his view of Satan.
Open Letter To Satanists
Quote in 'Conversations with Henri Moore', J.P. Hodin, in 'The Observer', 24 Nov. 1958
1955 - 1970
Quote from Claude Monet par lui-meme – interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in Le Temps newspaper, 26 November 1900
about Johan Jongkind, famous pre-impressionist landscape-painter of Dutch origin, painting then in Honfleur for some years and advising Monet then.
1900 - 1920
18 March 1857
Correspondence, Letters to Mademoiselle Leroyer de Chantepie
Quote from 'Artists' Session at Studio 35', (1950); as cited in Abstract Expressionism Creators and Critics (1990), ed. Clifford Ross, p. 225 <!-- Abrams Publishers New York -->
1950s
c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 154-155