
Crucible of Creativity (2005)
Crucible of Creativity (2005)
Crucible of Creativity (2005)
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Crucible of Creativity (2005)
Source: Why Men Earn More (2005), p. 150.
"On the Conservation of Force" (1862), p. 280
Popular Lectures on Scientific Subjects (1881)
Context: The external work of man is of the most varied kind as regards the force or ease, the form and rapidity, of the motions used on it, and the kind of work produced. But both the arm of the blacksmith who delivers his powerful blows with the heavy hammer, and that of the violinist who produces the most delicate variations in sound, and the hand of the lacemaker who works with threads so fine that they are on the verge of the invisible, all these acquire the force which moves them in the same manner and by the same organs, namely, the muscles of the arm. An arm the muscles of which are lamed is incapable of doing any work; the moving force of the muscle must be at work in it, and these must obey the nerves, which bring to them orders from the brain. That member is then capable of the greatest variety of motions; it can compel the most varied instruments to execute the most diverse tasks.
Source: "The Core Competence of the Corporation," 1990, p. 6/283
Source: Computer-Aided Design: A Statement of Objectives (1960), p. iii: Abstract.
Charles E. Wilson in, The Commonwealth: A Forum for Creation of Public Opinion, p. 1946
Quoted in the IBM employee magazine Think in 1979. Cited by his Associated Press obituary http://www.msnbc.msn.com/id/17704662/