“I have never even wondered about the comparative standing of writers. I don't understand that. Writing to me is a deeply personal, even a secret function and when the product is turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.”

— John Steinbeck

Paris Review - The Art of Fiction No. 45 (1969)

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John Steinbeck 366

American writer 1902–1968

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“[As a screenwriter] I have a sense of exile from thought, a nostalgia of the quiet room and balanced mind. I am a writer, and there comes a time when that which I write has to belong to me, has to be written alone and in silence, with no one looking over my shoulder, no one telling me a better way to write it. It doesn't have to be great writing, it doesn't even have to be terribly good. It just has to be mine.”

Raymond Chandler (1888–1959) Novelist, screenwriter

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“If they want to write about me in a good way, they should write how I do things that are useful. If they want to criticize me, I don't care, I don't mind. But they must criticize me fairly. Usually the criticism is not fair. Or the praise, even the praise sometimes is not fair.”

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“Well, if you compare my album even as late as two years ago, I think as a writer I am much more at the forefront. I wrote all the lyrics and lots of the music on that album. It shows humor of the writer side of me. But I have evolved since then.”

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“No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. The current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever.”

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“I cannot write anything that I understand too well. If I know what something means to me, if I have already come to the end of it as an experience, I can't write it because it seems a twice-told tale.”

Arthur Miller (1915–2005) playwright from the United States

"The State of the Theatre" an interview by Henry Brandon in Harpers 221 (November 1960)
Context: I cannot write anything that I understand too well. If I know what something means to me, if I have already come to the end of it as an experience, I can't write it because it seems a twice-told tale. I have to astonish myself, and that of course is a very costly way of going about things, because you can go up a dead end and discover that it's beyond your capacity to discover some organism underneath your feeling, and you're left simply with a formless feeling which is not itself art. It's inexpressible and one must leave it until it is hardened and becomes something that has form and has some possibility of being communicated. It might take a year or two or three or four to emerge.

“For me this is a fact, writing is necessity, I don’t know why, but it seems it was the only solution offered to me, even if it doesn’t solve anything; still it doesn't leave me…”

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“I don't see anything wrong with being alone, it feels great to me. People make a big thing about personal love. It doesn't have to be such a big thing. The same for living - people make a big thing about that too. But personal living and personal loving are the two things the Eastern-type wise men don't think about.”

Andy Warhol (1928–1987) American artist

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“I want a further step for me…that's my process of development. I don't want to cut it off. I understand where it's been cut off for other people, and I understand the whole process in that order of things, but I see no way in that isn't a trap, that will let me out again without damaging too much, you know?”

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“I suddenly realized that comedy, for me, was just being honest, and playing it for real. I've seen so many wonderful actors who turn into creatures from another planet when they're told they are supposed to be playing comedy. I… was not too happy to suddenly take on this public role thrust upon me. They just assumed I was the Joan of Arc of the women's movement. And I wasn't at all. It put a lot of unnecessary pressure on me. I'd never even been to Wrigley Field. I never even enjoyed baseball that much, but I loved being there, the crowd was lovely, and they all sang with me!”

Bea Arthur (1922–2009) actress, singer, comedian

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“People who take things too literally don't get much of anything from my teaching. By never saying anything I mean, I say a great deal. I never mean anything I say under oath. I never mean exactly what I say. Not even this. You have to read between the words.”

John Sloan (1871–1951) American painter

In John Sloan on Drawing and Painting. Mineola NY: Dover Publications, 2000. Originally published in 1939 as The Gist of Art, p. 7.
The Gist of Art (1939)

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John Steinbeck 366

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