“Ah, the immortal ocean.
Consider the instructive metaphor: every conceivable terror dwells in her depths; she receives all wreckage, refuse, corruption of every kind, she pulls down into her depths human calamity indescribable; but none of this is any consideration to the sea. Let the screaming mortal passengers fight for room in the lifeboats, as the wreck belches flame and settles below the extinguishing wave; next morning she’ll still be beautiful and serene, her combers no less white, her distances as blue, her seabirds no less graceful as they wheel in the pure air. What perfection, to be so heartless. An inspiration to any lesser immortal.”

— Kage Baker , book The Children of the Company

Source: The Children of the Company (2005), Chapter 4, “Son Observe the Time” (p. 165)

Adopted from Wikiquote. Last update June 3, 2021. History

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Kage Baker 79

American writer 1952–2010

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“.. And with dream awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew she had to vanish for a while from the human surface and make every sacrifice in order to create her world anew out of the depths.
And from that came
Life or Theater???”

Charlotte Salomon (1917–1943) German painter

original German language, Zitat von Charlotte Salomon: ..und sie sah – mit wachgeträumten Augen all die Schönheit um sich her – sah das Meer spürte die Sonne und wusste: sie musste für eine Zeit von der menschlichen Oberfläche verschwinden und dafür alle Opfer bringen – um sich aus der Tiefe ihre Welt neu zu schaffen
Und dabei entstand<brdas Leben oder das Theater???
Quote, probably 1943, in Charlotte Salomon: Life? or Theatre?, (ed.) Judith C. E. Belinfante et al, Royal Academy of Arts, London, 1998, ISBN 0-900946-66-0, p. 38; as cited om Wikipedia
these are the concluding words of the last overlay: JHM 4924-02 https://charlotte.jck.nl/detail/M004924/part/character/theme/keyword/M004924, of the epilogue - quoting ideas of her former love in Germany Alfred Wolfsohn, she called him 'Amadeus Daberlohn' in her paintings

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“…his book, Orpheus, or the Way to a Death Mask, of which he had said that he regretted not having written it as a poem.
And with dream-awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew: she had to vanish for a while from the human plane and make every sacrifice in order to create her world anew out of the depths.”

Charlotte Salomon (1917–1943) German painter

Charlotte's 2th ending, written page in brush, related to JHM no. 4924v https://upload.wikimedia.org/wikipedia/commons/5/5e/Charlotte_Salomon_-_JHM_4924-02.jpg: 'Life? or Theater..', p. 822
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Kage Baker 79

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