Antonio Porchia (1885–1968) Italian Argentinian poet
Cuando no sea más nada, ¿no seré más nada? ¡Cómo quisiera no ser más nada cuando no sea más nada!
Voces (1943)
Cuando ya nada me quede, no pediré más nada.
Voces (1943)
Antonio Porchia (1885–1968) Italian Argentinian poet
Cuando no sea más nada, ¿no seré más nada? ¡Cómo quisiera no ser más nada cuando no sea más nada!
Voces (1943)
“I started out with nothing and still have most of it left.”
Gregory Benford (1941) Science fiction author and astrophysicist
Short fiction, Aspects
“Always ask yourself: “How would I like to be remembered after I have left and moved on?””
Nigel Cumberland (1967) British author and leadership coach
Page 235 <br class="br">Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, Managing Teams in a Week (2013) https://books.google.ae/books?idqZjO9_ov74EC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#vonepage&qnigel%20cumberland&ffalse, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id4S7vAgAAQBAJ&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#vonepage&qnigel%20cumberland&ffalse
William Henry Harrison (1773–1841) American general and politician, 9th President of the United States (in office in 1841)
Final words. Quoted in Jebediah Whitman, "A Memorial to Our Dear Departed President (New Ark, DE: Printed by the Author, 1841).
Antonio Porchia (1885–1968) Italian Argentinian poet
Sé que tienes nada. Por ello te pido todo. Para que tengas todo.
Voces (1943)
James Morrison (1984) English singer-songwriter and guitarist
If You Don't Wanna Love Me
Song lyrics, Undiscovered (James Morrison album) (2006)
Gerhard Richter (1932) German visual artist, born 1932
Source: after 2000, Doubt and belief in painting' (2003), p. 95, note 28