“Ludwig also provides a brief, quite brilliant exposition and critique of the concept of an "authentic" self, noting that it is rooted in a male Victorian ethos and that it has been overshadowed by the more contemporary American notion of self-invention. Ludwig's beautifully written and intellectually provocative book is one of those rare works that offer fresh, profound insights, moving the reader to think probingly about his or her own life and self.”

—  Arnold M. Ludwig

Kirkus Reviews on How Do We Know Who We Are?: A Biography of the Self (1997)

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“Ludwig's book is outstanding. It pulls together a mound of pertinent data, much of it new, into coherent patterns…Throughout the book the reader is offered a wealth of insights and serious questions…Ludwig's development of a Creative Achievement Scale [is] a valued contribution in its own right, allowing researchers a comprehensive objective tool for scoring subjects' degree of achievement… Ludwig has cleared up much of the confusion and opinionated muddleheadedness… that has been attached to the topic and the thinking regarding a relationship between psychopathology and creativity.”

Arnold M. Ludwig

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“The book, by isolating the reader and his responses, tended to separate him from the powerful oral influences of his family, teacher, and priest. Print thus created a new conception of self as well as of self-interest.”

Neil Postman (1931–2003) American writer and academic

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Context: Print, in even more revolutionary ways than writing, changed the very form of civilization.... the Protestant Revolution was contemporaneous with the invention of moving type.... the printing and distribution of millions of Bibles made possible a more personal religion, as the Word of God rested on each man's kitchen table. The book, by isolating the reader and his responses, tended to separate him from the powerful oral influences of his family, teacher, and priest. Print thus created a new conception of self as well as of self-interest. At the same time, the printing press provided the wide circulation necessary to create national literatures and intense pride in one's native language. Print thus promoted individualism on one hand and nationalism on the other.

“Self-promotion is self-defeating. No matter how brilliant an individual, one becomes instinctively "leery" when he toots his own horn.”

Leonard E. Read (1898–1983) American academic

Leonard Read Journals, September 18, 1959 https://history.fee.org/leonard-read-journal/1959/leonard-e-read-journal-september-1959

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“The Buddhist doctrine of impermanence includes the notion that there is no self… It holds that the idea of a separate, individual self is an illusion, just another form of maya, an intellectual concept that has no reality. To cling to this idea of a separate self leads to the same pain and suffering (duhkha) as the adherence to any other fixed category of thought.”

Fritjof Capra (1939) American physicist

Source: The Web of Life (1996), Ch.12 Knowing that We Know

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“The traditional male hero is about self-sacrifice, not self-actualization.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

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John Barnes book Mother of Storms

Source: Mother of Storms (1994), p. 45

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“The higher the intellectual potential of people, the broader their tendency to self-organization, the more of its functions will be delegated by the government to other communities. Quite true is also the argument that the more responsibility and competence the government delegates to the society, the more is realized its ability to self-organization.”

Tigran Sargsyan (1960) Economist, politician

The End of State http://www.gov.am/files/docs/217.pdf
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Pat Conroy (1945–2016) American novelist

Conroy's praise for In The Company Of Men (2001), by Nancy Mace, first-ever female graduate of The Citadel, displayed on the back of the dust jacket for the hardcover edition.

“The dominant mood of contemporary American culture is the self-celebration of the peasantry.”

William A. Henry III (1950–1994) American critic

In Defense of Elitism

Karl Wilhelm Friedrich Schlegel photo

“There is no self-knowledge except historical self-knowledge. No one knows what he is if he doesn’t know what his contemporaries are.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Es giebt keine Selbstkenntniss als die historische. Niemand weiss was er ist, wer nicht weiss was seine Genossen sind.

“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 139

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