“More mud, more crocodiles.”
A Portrait of the Artist as a Young Man
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James Joyce 191
Irish novelist and poet 1882–1941Related quotes
As quoted in "How Dinosaurs Loved: An Interview with Dr. Mark Norell on Dino Relations" http://motherboard.vice.com/blog/t-rexxx-how-dinosaurs-lived-loved-and-tasted-q-a-with-dr-mark-norell-american-museum-of-natural-history, Vice (March 20, 2012)

Source: The Mortdecai Trilogy, After You With The Pistol (1979), Ch. 5.

“The work of art is a stuffed crocodile.”
L'objet d'art, par définition, est le crocodile empaillé.
Source: Alfred Jarry, Selected Works, edited by Roger Shattuck and Simon Watson Taylor. Cape, London, 1965
As quoted in "How Dinosaurs Loved: An Interview with Dr. Mark Norell on Dino Relations" http://motherboard.vice.com/blog/t-rexxx-how-dinosaurs-lived-loved-and-tasted-q-a-with-dr-mark-norell-american-museum-of-natural-history, Vice (March 20, 2012)

1860s, Allow the humblest man an equal chance (1860)
Context: So that saying, "in the struggle between the negro and the crocodile," &c., is made up from the idea that down where the crocodile inhabits a white man can't labor; it must be nothing else but crocodile or negro; if the negro does not the crocodile must possess the earth; [Laughter; ] in that case he declares for the negro. The meaning of the whole is just this: As a white man is to a negro so is a negro to a crocodile; and as the negro may rightfully treat the crocodile, so may the white man rightfully treat the negro. This very dear phrase coined by its author, and so dear that he deliberately repeats it in many speeches, has a tendency to still further brutalize the negro, and to bring public opinion to the point of utter indifference whether men so brutalized are enslaved or not.