
AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants
AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants
For Whom Are We Living http://www.tparents.org/Moon-Talks/sunmyungmoonpre67/Sm570407.htm, (1957-04-07)
Part IV, Chapter VI
Les voix du silence [Voices of Silence] (1951)
The Third Sacred School, Volume 7, Chapter 80
As of a Trumpet, On Eagle's Wings, The Third Sacred School
(29 November 2001)
Unfit for Mass Consumption (blog entries), 2001
Context: I was thinking, earlier, how there's this stigma attached to "writing for money" and how odd that is, as though writing is akin to sex (another "creative" act?) and writing for money is akin to prostitution in the minds of so many people. Whoring with adjectives, so to speak. Do I give good prose? Look up the definition of "hack." So, there must be the perception that writing, like the priesthood, comes with some higher purpose in tow. Getting paid well somehow sullies the purer cause. I've heard writers dismiss something or another that they've written by explaining, "Oh, yes, I know that sucked, but I only wrote it because they paid me so much money." And then we might even forgive them a piece of crap, because we have a sensible explanation. That wasn't a real orgasm. I was only faking the plot. Dorothy Parker and F. Scott Fitzgerald and William Faulkner in Hollywood.
Introduction, page xxv
Modern Astrophysics, London, 1924
“Nationality is the creative power of human culture, culture is the creative power of nationality.”
From Naţionalitatea în artă ("Nationality in Art"), Bucureşti: Cartea Romaneasca, 1905.
Pt. III, ch. 1, sec. 7.
1920s, Process and Reality: An Essay in Cosmology (1929)