
“Let me recite what history teaches. History teaches.”
If I Told Him: A Completed Portrait of Picasso (1923). First published in Vanity Fair.
Source: Night
“Let me recite what history teaches. History teaches.”
If I Told Him: A Completed Portrait of Picasso (1923). First published in Vanity Fair.
Letter to the Soldiers of Coroticus (c.450?)
Context: Because of all this, I am at a loss to know whether to weep more for those they killed or those that are captured: or indeed for these men themselves whom the devil has taken fast for his slaves. In truth, they will bind themselves alongside him in the pains of the everlasting pit: for "he who sins is a slave already" and is to be called "son of the devil."
“No one was allowed to leave the theatre during his recitals, however pressing the reason. We read of women in the audience giving birth, and of men being so bored with listening and applauding that they furtively dropped down from the wall at the rear, since the gates were kept barred, or shammed dead and were carried away for burial.”
Cantante eo ne necessaria quidem causa excedere theatro licitum est. Itaque et enixae quaedam in spectaculis dicuntur et multi taedio audendi laudandique clausis oppidorum portis aut furtim desiluisse de muro aut morte simulata funere elati.
Of Nero's public performances in musical competitions.
Source: The Twelve Caesars, Nero, Ch. 23
Crabbed Age and Youth.
Virginibus Puerisque and Other Papers (1881)
Context: The time would fail me if I were to recite all the big names in history whose exploits are perfectly irrational and even shocking to the business mind. The incongruity is speaking; and I imagine it must engender among the mediocrities a very peculiar attitude, towards the nobler and showier sides of national life.
Introduction, p. xiii.
The Authorised Daily Prayer Book, Centenary Edition 1990