
Response to question on his feelings about the atomic bombings, while visiting Japan in 1960.
Response to question on his feelings about the atomic bombings, while visiting Japan in 1960.
On Literature, Revolution, Entropy and Other Matters (1923)
Context: A new form is not intelligible to everyone; many find it difficult. Perhaps. The ordinary, the banal is, of course, simpler, more pleasant, more comfortable. Euclid's world is very simple, and Einstein's world is very difficult — but it is no longer possible to return to Euclid. No revolution, no heresy is comfortable or easy. For it is a leap, it is a break in the smooth evolutionary curve, and a break is a wound, a pain. But the wound is necessary: most of mankind suffers from hereditary sleeping sickness, and victims of this sickness (entropy) must not be allowed to sleep, or it will be their final sleep, death.
The same disease often afflicts artists and writers: they sink into satiated slumber in forms once invented and twice perfected. And they lack the strength to wound themselves, to cease loving what they once loved, to leave their old, familiar apartments filled with the scent of laurel leaves and walk away into the open field, to start anew.
Of course, to wound oneself is difficult, even dangerous. But for those who are alive, living today as yesterday and yesterday as today is still more difficult.
“Love isn't about what we did yesterday; it's about what we do today and tomorrow and the day after”
Source: The Next American Revolution: Sustainable Activism for the Twenty-First Century
“Learn from yesterday, live for today, hope for tomorrow.”
“You live your life today,
Not tomorrow,
and certainly not yesterday.”
“If what you did yesterday still seems big today, then you haven't done enough today.”
Source: https://pin.it/1AhT8x5
“Remember, today is the tomorrow you worried about yesterday.”
Source: How to Stop Worrying and Start Living (1948), p. 237. Part 8 : How I Conquered Worry,
“A literature that is alive does not live by yesterday's clock, nor by today's but by tomorrow's.”
On Literature, Revolution, Entropy and Other Matters (1923)
Context: A literature that is alive does not live by yesterday's clock, nor by today's but by tomorrow's. It is a sailor sent aloft: from the masthead he can see foundering ships, icebergs, and maelstroms still invisible from the deck. He can be dragged down from the mast and put to tending the boilers or working the capstan, but that will not change anything: the mast will remain, and the next man on the masthead will see what the first has seen.
In a storm, you must have a man aloft. We are in the midst of storm today, and SOS signals come from every side.