“When angry, count four. When very angry, swear.”

“While single women may not have a man they can count on or call at four in the night, they do have the knowledge that when a man comes to see them he wants to be with them. And while he may come less often, he will really be there when he does.”

“I can count to four and repeat. I'm a drummer.”

“I don't count my sit-ups; I only start counting when it starts hurting because they’re the only ones that count.”

“As soon as you have begun to master the diaphragm muscle, you can consider the rhythm of the breath. This must be gentle, even and deep, and have four stages; (1) pause for preparation, (counting three); (2) breathe in slowly, (counting three; (3) hold breath whilst absorbing life forces, (counting three) and (4) breathe out whilst spreading the new life all over the body (counting three). Then repeat the exercise. As soon as you feel able, increase the counts to four times four and gradually increase until you arc able to breathe to four times seven without strain.”

“You are
What you do
When it counts"
- The Masao”

“Revolutions are the periods of history when individuals count most.”

“If a man who can’t count finds a four leaf clover, is he lucky?”

“You don't count the dead When God's on your side”

“Sometime 30 years ago I wrote a piece for the Stan Kenton Neophonic Band. The night of the concert at the Music Center Auditorium in Los Angeles Stan counted it off much too fast. When it came to the recapitulation at the end, the woodwind instrumentation had changed to mixtures of piccolos, flutes and saxes; and being too fast, it turned into a woodwind knuckle-buster. I was hiding on the floor between the seats. Later, when this was recorded, Stan counted too slowly. That recording was released without my piece. Years later when Stan created his "The Creative World of Stan Kenton" record company, Capitol was so angry that he had left them and released everything they had in the can to jeopardize his market. My piece was released with the first third cut off. I rewrote this for my present instrumentation and when we first went through it, while conducting, I was in tears to finally hear what I had written 30 years ago.”