“Nothing shows you the straight line from here to death like a list.”

p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)

Source: The Evil We Love

Source: A Streetcar Named Desire

Connections (1979), 10 - Yesterday, Tomorrow and You
Context: The question is in what way are the triggers around us likely to operate to cause things to change -- for better or worse. And, is there anything we can learn from the way that happened before, so we can teach ourselves to look for and recognize the signs of change? The trouble is, that's not easy when you have been taught as I was, for example, that things in the past happened in straight-forward lines. I mean, take one oversimple example of what I'm talking about: the idea of putting the past into packaged units -- subjects, like agriculture. The minute you look at this apparently clear-cut view of things, you see the holes. I mean, look at the tractor. Oh sure, it worked in the fields, but is it a part of the history of agriculture or a dozen other things? The steam engine, the electric spark, petroleum development, rubber technology. It's a countrified car. And, the fertilizer that follows; it doesn't follow! That came from as much as anything else from a fellow trying to make artificial diamonds. And here's another old favorite: Eureka! Great Inventors You know, the lonely genius in the garage with a lightbulb that goes ping in his head. Well, if you've seen anything of this series, you'll know what a wrong approach to things that is. None of these guys did anything by themselves; they borrowed from other people's work. And how can you say when a golden age of anything started and stopped? The age of steam certainly wasn't started by James Watt; nor did the fellow whose engine he was trying to repair -- Newcomen, nor did his predecessor Savorey, nor did his predecessor Papert. And Papert was only doing what he was doing because they had trouble draining the mines. You see what I'm trying to say? This makes you think in straight lines. And if today doesn't happen in straight lines -- think of your own experience -- why should the past have? That's part of what this series has tried to show: that the past zig-zagged along -- just like the present does -- with nobody knowing what's coming next. Only we do it more complicatedly, and it's because our lives are that much more complex than theirs were that it's worth bothering about the past. Because if you don't know how you got somewhere, you don't know where you are. And we are at the end of a journey -- the journey from the past.

A Better Hope for the Soul, The Watchtower magazine, 8/1 1996.

Night of Champions - September 19, 2010
Friday Night SmackDown
Context: I love Chicago. [Crowd cheers] I love the parks, i love Navy Pier, i love the skyline, i love the museums, i love the history, I LOVE CHICAGO! [Crowd cheers] What i hate, what i hate, what i despise... is the inhabitants of Chicago. You! [Points to the crowd] You! [Points to the camera] You [points to the crowd again] ruined my beautiful city! You.. you middle class, lazy teamsters. You corrupt politicians, you corrupt police officers. The horrible horrible Chicago White Sox. The Susie Homemakers who fatten up their children with fast food, and then eat a bottle of pills and pass out on the couch. The out of work dads, you people make me sick! [Crowd boos slightly] I'm proud to live here, i'm proud to be from here, i am not proud to live amongst people like you, you are the scum of the earth, and you have ruined a beautiful city, and that for a second time should be burned to the ground, and in it's ashes, i and i alone will build a Straight-edge utopia. And speaking of fat people that nobody likes, we all saw The Big Show knock me out with his big stupid ham-fist. [Raises fist to camera] And yet, unlike all of you, i don't run away. I stand here on my own two feet, and i stand here defiant. I stand here confident. This is my house, and i run from nobody. Not any of you, not somebody that's a foot taller, not somebody that outweighs me by 250 pounds. Tonight, i am David. And Big Show, he can be Goliath. And my slingshot is the power of almighty Straight-edge!

interview at John's studio, Billy Klüver, March 1963, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 85
1960s

Signposts to Elsewhere (2008)