Alan Moore quote: “That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call th…”

“You can make your superhero a psychopath, you can draw gut-splattering violence, and you can call it a "graphic novel," but comic books are still incredibly stupid.”

Bill Watterson (1958) American comic artist

“I, for example, am a pompous asshole, but my comics are genius!”

Brian K. Vaughan (1976) American screenwriter, comic book creator

BKV on War of the Worlds http://www.bkv.tv/phpBB2/viewtopic.php?t=3002

“The phrase itself is a pompous contradiction in terms.”

Hunter S. Thompson (1937–2005) American journalist and author

1970s, Fear and Loathing: On the Campaign Trail '72 (1973)
Context: So much for Objective Journalism. Don't bother to look for it here — not under any byline of mine; or anyone else I can think of. With the possible exception of things like box scores, race results, and stock market tabulations, there is no such thing as Objective Journalism. The phrase itself is a pompous contradiction in terms.

“Growing up with violence, with inescapable expertly choreographed brutality in every home builds not only a kind of desensitization for it, but it also creates a market for violent entertainment by people for whom even what they see on television is not enough, is not graphic enough, is not explicit enough, and some movie productions, some big productions really cash in on that market. What is peculiar about this is that as time goes on, a greater dosage is necessary to satisfy this need.”

George Gerbner (1919–2005) American writer, freelancer and sociologist

The Killing Screens: Media and the Culture of Violence

“I've no objection to the term 'graphic novel,' as long as what it is talking about is actually some sort of graphic work that could conceivably be described as a novel. My main objection to the term is that usually it means a collection of six issues of Spider-Man, or something that does not have the structure or any of the qualities of a novel, but is perhaps roughly the same size.”

Alan Moore (1953) English writer primarily known for his work in comic books

Interview with Locus Magazine http://www.locusmag.com/2003/Issue07/Moore.html (2003)

“My early work in newspaper comics and comic books allowed me to entertain millions of readers weekly, but I always felt there was more to say. I pioneered the use of comics for instructional manuals for American soldiers, covering three major wars, and later used comics to educate grade school children. Both were heady responsibilities that I took very seriously. But I yearned to do still more with the medium. At an age when I could have "retired," I chose instead to create literary comics, than a decidedly oxymoronic term. Acceptance has not always been easy, but I have seen it arrive in my lifetime. It has been most gratifying to see the graphic novel and many of its exceptional creators gradually become an accepted part of the book world. I couldn't find a major publisher to take A Contract With God only a quarter century ago, and now graphic novels represent the book industry's fastest growing genre.”

Will Eisner (1917–2005) American cartoonist

XIX-XX, December 2004
A Contract With God (2004)

“I'd rather do comics than novels.”

Jim Starlin (1949) Comic creator

Interview at comicbookresources.com (28 July 2000) http://www.comicbookresources.com/news/newsitem.cgi?id=194
Context: I've made more money in novels than I did in my entire career in comics. The few years I did novels, they paid off so well, I don't have to be a slave to doing comics. But I'd rather do comics than novels. If I wanted to do it just for the money, I'd run off and do another novel. I just don't have the juice for it. I'm really not interested in it. It's a love for what this medium is.

“I've made more money in novels than I did in my entire career in comics.”

Jim Starlin (1949) Comic creator

Interview at comicbookresources.com (28 July 2000) http://www.comicbookresources.com/news/newsitem.cgi?id=194
Context: I've made more money in novels than I did in my entire career in comics. The few years I did novels, they paid off so well, I don't have to be a slave to doing comics. But I'd rather do comics than novels. If I wanted to do it just for the money, I'd run off and do another novel. I just don't have the juice for it. I'm really not interested in it. It's a love for what this medium is.

“I think my work is different from comic strip – but I wouldn't call it transformation... What I do is form, whereas the comic strip is not formed in the sense I'm using the word; the comics have shapes, but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify. And my work is actually different form comic strips in that every mark is really in a different place. However slight the difference seems to some.”

Roy Lichtenstein (1923–1997) American pop artist

1970's
Source: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p. 153

“A novel is what you dream in your night sleep. A novel is not waking thoughts although it is written and thought with waking thoughts. But really a novel goes as dreams go in sleeping at night and some dreams are like anything and some dreams are like something and some dreams change and some dreams are quiet and some dreams are not. And some dreams are just what any one would do only a little different always just a little different and that is what a novel is.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"The Superstitions of Fred Anneday, Annday, Anday; a Novel of Real Life" (1935)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)

“That pompous phrase (graphic novel) was thought up by some idiot in the marketing department of DC. I prefer to call them Big Expensive Comics.”

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