
Et tant pis pour ceux qui s'etonnent
Et que les autres me pardonnent
Mais les enfants ce sont les memes
A Paris ou a Gottingen.
Göttingen.
Song lyrics
Source: Dreaming Water
Et tant pis pour ceux qui s'etonnent
Et que les autres me pardonnent
Mais les enfants ce sont les memes
A Paris ou a Gottingen.
Göttingen.
Song lyrics
In page 87
Remembering Our Leaders: Mahadeo Govind Ranade by Pravina Bhim Sain
Source: Dictionary of Burning Words of Brilliant Writers, P. 251.
Summations, Chapter 60
Context: This fair lovely word Mother, it is so sweet and so close in Nature of itself that it may not verily be said of none but of Him; and to her that is very Mother of Him and of all. To the property of Motherhood belongeth natural love, wisdom, and knowing; and it is good: for though it be so that our bodily forthbringing be but little, low, and simple in regard of our spiritual forthbringing, yet it is He that doeth it in the creatures by whom that it is done. The Kindly, loving Mother that witteth and knoweth the need of her child, she keepeth it full tenderly, as the nature and condition of Motherhood will. And as it waxeth in age, she changeth her working, but not her love. And when it is waxen of more age, she suffereth that it be beaten in breaking down of vices, to make the child receive virtues and graces. This working, with all that be fair and good, our Lord doeth it in them by whom it is done: thus He is our Mother in Nature by the working of Grace in the lower part for love of the higher part. And He willeth that we know this: for He will have all our love fastened to Him. And in this I saw that all our duty that we owe, by God’s bidding, to Fatherhood and Motherhood, for God’s Fatherhood and Motherhood is fulfilled in true loving of God; which blessed love Christ worketh in us. And this was shewed in all and especially in the high plenteous words where He saith: It is I that thou lovest.
Quoted without citation by Ted Dracos, UnGodly: The Passions, Torments, and Murder of Atheist Madalyn Murray O'Hair (2003), on her son William's rejection of atheism and conversion to Christianity and new calling as a traveling evangelist.
Attributed
The Little Shroud from The London Literary Gazette (28th April 1832)
The Vow of the Peacock (1835)
Source: The Face on Your Plate (2009), Ch. 2, pp. 79-80
In the 1930's Grosz encouraged as art-teacher his students at the Art Students League in New York to study children's drawings
Source: a student's unpublished papers 'Notes on Drawing and Water Golor, 1935-36', George Grosz estate, Princeton, N.J.; as quoted in: George Grosz: Leben und Werk, ed. Uwe M. Schneede; Verlag Gerd Hatje, Stuttgart 1975, p. 38