Richard Nixon: A Fantasy by David Frye (1973)
“Those miserable women who blame the men who let them down for their misery and isolation enact every day the initial mistake of sacrificing their personal responsibility for themselves.”
—
Germaine Greer
,
book
The Female Eunuch
Source: The Female Eunuch
Last update June 3, 2021.
History
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Germaine Greer 73
Australian feminist author 1939Related quotes
Source: Neveryóna (1983), Chapter 7, “Of Commerce, Capital, Myths, and Missions” (p. 147)
“I love women who don't let themselves be tamed. Those who scratch and bite, but know how to love.”
Prevale
(1983) Italian DJ and producer
Original: Adoro le donne che non si lasciano domare. Quelle che graffiano e mordono, ma sanno amare.
Source: prevale.net
Johann Wolfgang von Goethe
(1749–1832) German writer, artist, and politician
Attributed to Goethe by German novelist Thomas Mann in his novel The Beloved Returns. The line was Mann's invention, though it was later quoted during the Nuremburg trials by prosecutor Sir Hartley Shawcross, who quoted the passage as if it truly had been written by Goethe.
Misattributed
Source: http://hdl.handle.net/2027/spo.act2080.0051.419 Thomas Mann in America
“Women who love themselves are threatening; but men who love real women, more so.”
Source: The Beauty Myth
“Men. The day they learned to admit to a mistake was the day they became women.”
Julia Quinn
(1970) American novelist
Source: To Sir Phillip, With Love
Charlie Beck
(1953) Chief of the Los Angeles Police Department
Quoted in: [December 5, 2014, http://www.laweekly.com/informer/2014/08/12/lapd-chief-charlie-beck-gets-another-5-years, Dennis Romero, August 12, 2014, LA Weekly, LAPD Chief Charlie Beck Gets Another 5 Years]
Honoré de Balzac
(1799–1850) French writer
La faute des hommes supérieurs est de dépenser leurs jeunes années à se rendre dignes de la faveur. Pendant qu'ils thésaurisent, leur force est la science pour porter sans effort le poids d'une puissance qui les fuit; les intrigants, riches de mots et dépourvus d'idées, vont et viennent, surprennent les sots, et se logent dans la confiance des demi-niais.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart
