“The reality distortion field was a confounding mélange of a charismatic rhetorical style, indomitable will, and eagerness to bend any fact to fit the purpose at hand”
Source: Steve Jobs
Help us to complete the source, original and additional information
Walter Isaacson 23
American writer and biographer 1952Related quotes

John Perry Barlow 2.0 (2004)
Context: You now have two distinct ways of gathering information beyond what you yourself can experience. One of them is less a medium than an environment — the Internet — with a huge multiplicity of points of view, lots of different ways to find out what's going on in the world. Lots of people are tuned to that, and a million points of view have bloomed. It creates a cacophony of viewpoints that doesn't have any political coherence at all, a beautiful melee, but it doesn't have the capacity to create large blocs of belief.
The other medium, TV, has a much smaller share of viewers than at any time in the past, but those viewers get all their information there. They get turned into a very uniform belief block. TV in America created the most coherent reality distortion field that I’ve ever seen. Therein is the problem: People who vote watch TV, and they are hallucinating like a sonofabitch. Basically, what we have in this country is government by hallucinating mob.

“Rhetoric is no substitute for reality.”

Introduction
Zen and the Art of Motorcycle Maintenance (1974)
Context: What follows is based on actual occurrences. Although much has been changed for rhetorical purposes, it must be regarded in its essence as fact. However, it should in no way be associated with that great body of factual information relating to orthodox Zen Buddhist practice. It's not very factual on motorcycles, either.
The Ayodhya temple-mosque dispute: Focus on Muslim sources (1993)

“But when mischief mortals bend their will,
How soon they find fit instruments of ill!”
Canto III, line 125.
The Rape of the Lock (1712, revised 1714 and 1717)

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 13