Source: Spring's Awakening
Victory: An Island Tale http://www.gutenberg.org/files/6378/6378-h/6378-h.htm (1915), Part II, ch. 3
Bartlett's Familiar Quotations, 10th ed. (1919)
“There is no unique, correct answer in most cases. It is a matter of taste”
Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)
Context: There is no unique, correct answer in most cases. It is a matter of taste, depending on the circumstances... and the particular age you live in.... Gradually, you will develop your own taste, and along the way you may occasionally recognize that your taste may be the best one! It is the same as an art course.
Source: The Meaning of Culture (1929), p. 175
The Asian Journal of Thomas Merton (1975) Part One : Ceylon / November 29 - December 6.
Context: Looking at these figures I was suddenly, almost forcibly, jerked clean out of the habitual, half-tied vision of things, and an inner clearness, clarity, as if exploding from the rocks themselves, became evident and obvious. … The thing about this is that there is no puzzle, no problem, and really no "mystery."
All problems are resolved and everything is clear. The rock, all matter, all life, is charged with dharmakaya… everything is emptiness and everything is compassion. I don’t know when in my life I have ever had such a sense of beauty and spiritual validity running together in one aesthetic illumination. Surely with Mahabalipuram and Polonnaruwa my Asian pilgrimage has come clear and purified itself. I mean, I know and have seen what I was obscurely looking for. I don’t know what else remains but I have now seen and have pierced through the surface and have got beyond the shadow and the disguise.
The whole thing is very much a Zen garden, a span of bareness and openness and evidence, and the great figures, motionless, yet with the lines in full movement, waves of vesture and bodily form, a beautiful and holy vision.
James Fenton (ed.) The Original Michael Frayn (Edinburgh: Salamander Press, 1983) p. 67.
