“I will sit in the pupil of your eyes and that will carry your sight into the heart of the things”
Sermon IV : True Hearing
Meister Eckhart’s Sermons (1909)
Context: The man who abides in the will of God wills nothing else than what God is, and what He wills. If he were ill he would not wish to be well. If he really abides in God's will, all pain is to him a joy, all complication, simple: yea, even the pains of hell would be a joy to him. He is free and gone out from himself, and from all that he receives, he must be free. If my eye is to discern colour, it must itself be free from all colour. The eye with which I see God is the same with which God sees me. My eye and God's eye is one eye, and one sight, and one knowledge, and one love.
Nano Reid (1950)
Context: Nano Reid does not begin a portrait with any ideas about the person she draws. She is concerned with the head, its existence as a structure with certain characteristics. She is so much concerned with this that her portraits are inevitably deep studies of character and personality. The head, the face, the lines and features, contain everything for the painter who understands well enough to put it down.
note of H.W. Mesdag, published in the exhibition catalogue of Corporation Gallery of London, the Guildhall, in 1903; as cited in the catalogue of The American Art Galleries Madison Square South, New York, 3 March 1920 https://ia601600.us.archive.org/29/items/b1470642/b1470642.pdf
remark about the painting 'Ramskop' of Matthijs Maris, painted c. 1860 https://rkd.nl/en/explore/images/26605, which Mesdag bought and hanged in his house for many years
after 1880
Robert Frank, in: Nathan Lyons, Photographers on photography: a critical anthology, (1966), p. 66
Source: Unsinkable : A Memoir (2013), Chapter 16. Bottoming Out in Beverley Hills
Source: A Natural History of the Senses (1991), p. 229
