Patañjali (-200–-150 BC) ancient Indian scholar(s) of grammar and linguistics, of yoga, of medical treatises
The Light of the Soul: Its Science and Effect : a paraphrase of the Yoga Sutras of Patanjali, with commentary by Alice A. Bailey, (1927)
Source: Inner Engineering: A Yogi's Guide to Joy
Patañjali (-200–-150 BC) ancient Indian scholar(s) of grammar and linguistics, of yoga, of medical treatises
The Light of the Soul: Its Science and Effect : a paraphrase of the Yoga Sutras of Patanjali, with commentary by Alice A. Bailey, (1927)
Alice A. Bailey (1880–1949) esoteric, theosophist, writer
The Light of the Soul: Its Science and Effect: a paraphrase of the Yoga Sutras of Patanjali, with commentary (1927)
Gerhard Richter (1932) German visual artist, born 1932
undated quotes, The Daily Practice of Painting, Writings (1962-1993)
Robert Maynard Hutchins (1899–1977) philosopher and university president
Great Books: The Foundation of a Liberal Education (1954)
Leonard Mlodinow book The Drunkard's Walk
Source: The Drunkard's Walk, Chapter 9, Illusions Of Pattens And Patterns Of Illusions, p. 170-171
Ilona Andrews American husband-and-wife novelist duo
Source: Questing Beast
Arthur Symons book The Symbolist Movement in Literature
Gérard de Nerval.
The Symbolist Movement in Literature (1899)
Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism
Source: 1840s, Two Ethical-Religious Minor Essays (1849), p. 65
“The human imagination leaps to form the whole, to complete the scene in order to make sense of it.”
Rollo May (1909–1994) US psychiatrist
Source: The Courage to Create (1975), Ch. 7 : Passion for Form, p. 131
Context: The human imagination leaps to form the whole, to complete the scene in order to make sense of it. The instantaneous way this is done shows how we are driven to construct the remainder of the scene. To fill the gaps is essential if the scene is to have meaning. That we may do this in misleading ways — at times in neurotic or paranoid ways — does not gainsay the central point. Our passion for form expresses our yearning to make the world adequate to our needs and desires, and, more important, to experience ourselves as having significance.
Gustave Le Bon (1841–1931) French psychologist
Source: Psychologie des Foules [The Crowd: A Study of the Popular Mind] (1895)