“Answers were always important, but they were seldom easy.”

Part IV, Chapter 6
Anna Karenina (1875–1877; 1878)
Context: The new commission for the inquiry into the condition of the native tribes in all its branches had been formed and dispatched to its destination with an unusual speed and energy inspired by Alexey Alexandrovitch. Within three months a report was presented. The condition of the native tribes was investigated in its political, administrative, economic, ethnographic, material, and religious aspects. To all these questions there were answers admirably stated, and answers admitting no shade of doubt, since they were not a product of human thought, always liable to error, but were all the product of official activity. The answers were all based on official data furnished by governors and heads of churches, and founded on the reports of district magistrates and ecclesiastical superintendents, founded in their turn on the reports of parochial overseers and parish priests; and so all of these answers were unhesitating and certain. All such questions as, for instance, of the cause of failure of crops, of the adherence of certain tribes to their ancient beliefs, etc.—questions which, but for the convenient intervention of the official machine, are not, and cannot be solved for ages—received full, unhesitating solution.

Oral history interview http://history.siam.org/wilkinson.htm by John C. Nash, SIAM History of Numerical Analysis and Scientific Computing Project http://history.siam.org/,13 July 1984
Context: Very belatedly in 1947, Darwin [Sir Charles Darwin, great-grandson of the famous Charles Darwin] agreed to set up a very small electronics group [... ] It was not easy to have the imagination to foresee that computers were to become one of the most important developments of the century.

Source: Clockwork Princess

Source: Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest

Adam Warlock to Galactus, attempting to convince him to join with the heroes allied with him in his plans to defeat Thanos, in The Infinity Gauntlet (1991), Issue 3: Preparations for War.
Context: Naked power is seldom the answer to any problem. Surely you must know that even this group's combined might is nothing compared to the force Thanos wields. Only a richly complex and skillfully executed strategy will insure your survival. Time is short and I have such a plan.

Source: We'll Always Have Summer

The Spirit of Revolt (1880)
Context: How is it that men who only yesterday were complaining quietly of their lot as they smoked their pipes, and the next moment were humbly saluting the local guard and gendarme whom they had just been abusing, — how is it that these same men a few days later were capable of seizing their scythes and their iron-shod pikes and attacking in his castle the lord who only yesterday was so formidable? By what miracle were these men, whose wives justly called them cowards, transformed in a day into heroes, marching through bullets and cannon balls to the conquest of their rights? How was it that words, so often spoken and lost in the air like the empty chiming of bells, were changed into actions?
The answer is easy.
Action, the continuous action, ceaselessly renewed, of minorities brings about this transformation. Courage, devotion, the spirit of sacrifice, are as contagious as cowardice, submission, and panic.
What forms will this action take? All forms, — indeed, the most varied forms, dictated by circumstances, temperament, and the means at disposal. Sometimes tragic, sometimes humorous, but always daring; sometimes collective, sometimes purely individual, this policy of action will neglect none of the means at hand, no event of public life, in order to keep the spirit alive, to propagate and find expression for dissatisfaction, to excite hatred against exploiters, to ridicule the government and expose its weakness, and above all and always, by actual example, to awaken courage and fan the spirit of revolt.

Source: Natural Theology (1802), Ch. 1 : State of the Argument.
Context: In crossing a heath, suppose I pitched my foot against a stone and were asked how the stone came to be there, I might possibly answer that for anything I knew to the contrary it had lain there forever; nor would it, perhaps, be very easy to show the absurdity of this answer. But suppose I found a watch upon the ground, and it should be inquired how the watch happened to be in that place, I should hardly think of the answer which I had given, that for anything I knew the watch might have always been there. Yet why should not this answer serve for the watch as well as for the stone; why is it not admissible in that second case as in the first? For this reason, and for no other, namely, that when we come to inspect the watch, we perceive — what we could not discover in the stone — that its several parts are framed and put together for a purpose, e. g., that they are so formed and adjusted as to produce motion, and that motion so regulated as to point out the hour of the day; that if the different parts had been differently shaped from what they are, or placed in any other manner or in any other order than that in which they are placed, either no motion at all would have carried on in the machine, or none which would have answered the use that is now served by it.
This mechanism being observed … the inference we think is inevitable, that the watch must have had a maker — that there must have existed, at some time and at some place or other, an artificer or artificers who formed it for the purpose which we find it actually to answer, who comprehended its construction and designed its use.
Nor would it, I apprehend, weaken the conclusion, that we had never seen a watch made; that we had never known an artist capable of making one; that we were altogether incapable of executing such a piece of workmanship ourselves, or of understanding in what manner it was performed; all this being no more than what is true of some exquisite remains of ancient art, of some lost arts, and, to the generality of mankind, of the more curious productions of modern manufacture.