
Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 410
Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 410
Source: The Dream of a Ridiculous Man (1877), IV
Context: Well, granted that it was only a dream, yet the sensation of the love of those innocent and beautiful people has remained with me for ever, and I feel as though their love is still flowing out to me from over there. I have seen them myself, have known them and been convinced; I loved them, I suffered for them afterwards. Oh, I understood at once even at the time that in many things I could not understand them at all … But I soon realised that their knowledge was gained and fostered by intuitions different from those of us on earth, and that their aspirations, too, were quite different. They desired nothing and were at peace; they did not aspire to knowledge of life as we aspire to understand it, because their lives were full. But their knowledge was higher and deeper than ours; for our science seeks to explain what life is, aspires to understand it in order to teach others how to love, while they without science knew how to live; and that I understood, but I could not understand their knowledge.
Contact with Space (1957)
Context: On March 20, 1956, 10 P. M. a thought of a very remote possibility entered my mind, which I fear will never leave me again. Am I a spaceman? Do I belong to a new race on earth, bred by men from outer space in embraces with earth women? Are my children offspring of the first interplanetary race? Has the melting-pot of interplanetary society already been created on our own planet, as the melting-pot of all earth nations was established in the U. S. A. 190 years ago? … What inspired this thought? It was seeing the science-fiction film The Day the Earth Stood Still, about a spaceman who comes to Earth in a flying saucer to save us from self-destruction in a nuclear war. … All through the film I had a distinct impression that it was a bit of "my story" which was depicted there, even the actor's expressions and looks reminded me and others of myself as I had appeared 15 to 20 years ago.
"The Rule of Five", p. 199
The Flamingo's Smile (1985)
tracking with closeups (31) “Unto Us a Child”
Stand on Zanzibar (1968)
Let Your Life Speak: Listening for the Voice of Vocation (1999)
Euro Trash Cinema magazine interview (March 1996)