(original Dutch, citaat van Schelfhout, uit zijn brief:) Vrolijk en opgeruimt, ben ik weder met reuze schreden begonen aan het tweede schilderij van de Heer Twent. [van het Wassenaarse landgoed Raaphorst, toen in bezit van Abraham Jacob Twent, die het landgoed in twee grote schilderijen wilde laten vereeuwigen]
Quote from Schelfhout, in a letter (with sketched figures) to an unknown friend, 21 Feb. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 74
“Cheerfully and cheerily, I started working once more in giant steps to the second painting by Mr Twent.”
of the estate Raaphorst, then owned by Abraham Jacob Twent, who wanted his estate immortalized in two large paintings
translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van Schelfhout, uit zijn brief:) Vrolijk en opgeruimt, ben ik weder met reuze schreden begonen aan het tweede schilderij van de Heer Twent. [van het Wassenaarse landgoed Raaphorst, toen in bezit van Abraham Jacob Twent, die het landgoed in twee grote schilderijen wilde laten vereeuwigen]
Quote from Schelfhout, in a letter (with sketched figures) to an unknown friend, 21 Feb. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 74
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Andreas Schelfhout 8
Dutch painter, etcher and lithographer 1787–1870Related quotes
Title poem, section IX.
The Venetian Bracelet (1829)
Quotes, 1971 - 2000
Source: Machine in the Studio, Caroline. A. Jones, University of Chicago Press, 1996, pp. 197-198
I Cannot Evolve Any Concrete Theory, William Baziotes, in Possibilities, Vol. I, no. 1, New York, winter 1947-48, p. 2
William Baziotes is referring in this quote to Surrealist automatism originally a surrealist art concept
1940s
“XML is a giant step in no direction at all.”
Re: Q: parsing strings http://groups.google.com/group/comp.lang.lisp/msg/3343483b90c8eb4c (Usenet article).
Usenet articles, Miscellaneous
“A painter works to formulate with or in colors... My paintings follow the second option.”
Source: De tweede Helft Ad de Visser, SUN Nijmegen, The Netherlands, 1998, p. 123
"Portrait of the Artist as a Naughty Boy," interview with John Mortimer, In Character (1983) p. 97
1980s
As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)
“That's one small step for [a] man, one giant leap for mankind.”
Words said when Armstrong first stepped onto the Moon (20 July 1969) One Small Step, transcript of Apollo 11 Moon landing https://www.hq.nasa.gov/alsj/a11.step.html. In the actual sound recordings he apparently fails to say "a" before "man" and says: "That's one small step for man, one giant leap for mankind." This was generally considered by many to simply be an error of omission on his part. Armstrong long insisted he did say "a man" but that it was inaudible. Prior to new evidence supporting his claim, he stated a preference for the "a" to appear in parentheses when the quote is written. The debate continues on the matter, as "Armstrong's 'poetic' slip on Moon" at BBC News (3 June 2009) http://news.bbc.co.uk/2/hi/science/nature/8081817.stm reports that more recent analysis by linguist John Olsson and author Chris Riley with higher quality recordings indicates that he did not say "a".
Variant: That's one small step for a man, one giant leap for mankind.