“No one has the right to enter literature without fresh new ideas. We’ve got too many dexterous drudges as it is.”
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Jan Neruda 7
Czech poet, theater reviewer, publicist and writer 1834–1891Related quotes

“Open the window of your mind. Allow the fresh air, new lights and new truths to enter.”
Walking the Path of Compassion (2015)

"American Literature" in Papers on Literature and Art (1846), p. 122.

As paraphrased in "The Scoreboard: Thursday" https://news.google.com/newspapers?id=b0EqAAAAIBAJ&sjid=000EAAAAIBAJ&pg=4340%2C3027303 by Les Biederman, in The Pittsburgh Press (Saturday, June 11, 1955), p. 6
Other, <big><big>1950s</big></big>, <big>1955</big>

International Football Hall of Fame http://www.ifhof.com/hof/cruyff.asp.

Interview on Good Day Chicago for Thanksgiving Parade (25 November 2010) http://www.myfoxchicago.com/dpp/entertainment/jennifer-beals-chicago-thanksgiving-parade-20101125.

"Ray Bradbury hates big government: ‘Our country is in need of a revolution’" in The Los Angeles Times : Hero Complex (16 August 2010) http://herocomplex.latimes.com/2010/08/16/ray-bradbury-is-sick-of-big-government-our-country-is-in-need-of-a-revolution/

Literature and Revolution (1924), edited by William Keach (2005), Ch. 4 : Futurism, p. 120
Variants:
Art is not a mirror to hold up to society, but a hammer with which to shape it.
Remarks apparently derived from Trotsky's observations, or those he implies preceded his own, this is attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80, and to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9
Art is not a mirror held up to society, but a hammer with which to shape it.
Context: Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.