"Art a Thing of No Consequence"
The Dehumanization of Art and Ideas about the Novel (1925)
Context: Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness. The symbol of art is seen again in the magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove.
All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world.
“To begin then with Shakespeare; he was the man who of all Modern, and perhaps Ancient Poets, had the largest and most comprehensive soul.”
Essay of Dramatick Poesie (1668)
Context: To begin then with Shakespeare; he was the man who of all Modern, and perhaps Ancient Poets, had the largest and most comprehensive soul. All the Images of Nature were still present to him, and he drew them not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learn'd; he needed not the spectacles of Books to read Nature; he look'd inwards, and found her there. I cannot say he is every where alike; were he so, I should do him injury to compare him with the greatest of Mankind. He is many times flat, insipid; his Comick wit degenerating into clenches; his serious swelling into Bombast. But he is alwayes great, when some great occasion is presented to him: no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of the Poets
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John Dryden 196
English poet and playwright of the XVIIth century 1631–1700Related quotes
“See I'm a poet to some, a regular modern day Shakespeare”
"Renegade"
1840s, Heroes and Hero-Worship (1840), The Hero as Man of Letters
Table Talk" p. 63
Under the Hill and Other Essays (1904)
An ACCOUNT of A CONVERSATION concerning A RIGHT REGULATION of GOVERNMENTS For the common Good of Mankind: In A LETTER to the Marquiss of Montrose , the Earls of Rothes, Roxburg and Haddington , From London the first of December, 1703'. Later variants express the sentiment in the first person, e.g.:
Let me make the songs of a nation, and I care not who makes its laws.
Give me the making of a people's songs, and I care not who makes its laws.
They may also substitute equivalent words, such as "songs" for "ballads" or "country" for "nation". The sentiment is sometimes attributed to Plato, but does not appear in his works. Austin Matzko has discovered http://www.ilfilosofo.com/blog/2006/10/20/what-plato-might-have-said-but-didnt/ that the mistaken attribution probably originated in an ambiguous sentence in Donald J. Grout's A History of Western Music (1973, p. 8).
Law and its Administration http://books.google.com/books?id=_VUf45FZR7cC&pg=PA3&dq=%22Law+as+it+exists+in+the+modern+community%22&hl=en&ei=uCLsTKahLYSs8AbQ5dWIAg&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCcQ6AEwAA#v=onepage&q=%22Law%20as%20it%20exists%20in%20the%20modern%20community%22&f=false (1915), p. 3.
“He had discharged his destiny; now, perhaps, he could begin to live.”
Source: The City and the Stars (1956), Chapter 25 (p. 187)
Quoted in Baroness Elsa: Gender, Dada and Everyday Modernity, 2002.
Referring to Elsa von Freytag-Loringhoven
Solution http://www.humanitiesweb.org/human.php?s=l&p=c&a=p&ID=20586&c=323, l. 35-42
1860s, May-Day and Other Pieces (1867)