Pierre Schaeffer quote: “Sound is the vocabulary of nature... noises are as well articulated as the words in a dictionary... Opposing the world …”

“Sound is all our dreams of music. Noise is music's dreams of us.”

Morton Feldman (1926–1987) American avant-garde composer

Sound Noise Varese Boulez, in Audio Culture: Readings in Modern Music http://books.google.pl/books?id=FgDgCOSHPysC&pg=PA16&lpg=PA15&focus=viewport, edited by Christoph Cox, Daniel Warner. A&C Black, 2004. p. 16 http://books.google.pl/books?id=FgDgCOSHPysC&pg=PA16&lpg=PA15&focus=viewport.

“There are beautiful sounds in rock. Very lazy, dreamlike noises. You can forget about the lyrics in most songs. Just dig the noise, and you've got your sound… We're musical primitives.”

Andy Warhol (1928–1987) American artist

“Music is the cup which holds the wine of silence. Sound is that cup, but empty. Noise is that cup, but broken.”

Robert Fripp (1946) English guitarist, composer and record producer

“The Vinyl Solution.” in Musician, Player, and Listener 24 (April-May 1980): 34.
Elsewhere

“Sound is defined as the result of a succession of regular and periodic vibrations. Noise is instead caused by motions that are irregular, as much in time as in intensity. 'A musical sensation,' says Helmholtz 'appears to the ear as a perfectly stable, uniform, and invariable sound.' But the quality of continuity that sound has with respect to noise, which seems instead fragmentary and irregular, is not an element sufficient to make a sharp distinction between sound and noise. We know that the production of sound requires not only that a body vibrate regularly but also that these vibrations persist in the auditory nerve until the following vibration has arrived, so that the periodic vibrations blend to form a continuous musical sound. At least sixteen vibrations per second are needed for this. Now, if I succeed in producing a noise with this speed. I will get a sound made up of the totality of so many noises--or better, noise whose successive repetitions will be sufficiently rapid to give a sensation of continuity like that of sound.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Russolo. English trans. Barclay Brown (1986: 37).
undated quotes

“It sounded artificial, like a beauty pageant contestant pledging world peace. I did feel sad, but articulating it seemed cheap to me.”

Gillian Flynn book Sharp Objects

Source: Sharp Objects

“[paintings as] the plastic equivalent of the sounds, noises and smells found in theaters, music-halls, cinemas, brothels, railways station, ports.”

Carlo Carrà (1881–1966) Italian painter

1910's
Source: 'Piani plastici come espanzione sferica nello spazio', Carrà, March 1913

“We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect.”

Mervyn Peake book Titus Groan

Source: Titus Groan

“The finest words in the world are only vain sounds, if you cannot comprehend them.”

Anatole France (1844–1924) French writer

Les plus beaux mots du monde ne sont que de vains sons, si on ne les comprend pas.
Series I : Propos de rentrée: la terre et la langue http://fr.wikisource.org/wiki/Propos_de_rentr%C3%A9e_:_la_terre_et_la_langue
The Literary Life (1888-1892)

“…WHEREAS, IN THE PAST, THE POINT OF DISAGREEMENT HAS BEEN BETWEEN DISSONANCE AND CONSONANCE, IT WILL BE, IN THE IMMEDIATE FUTURE, BETWEEN NOISE AND SO-CALLED MUSICAL SOUNDS.
THE PRESENT METHODS OF WRITING MUSIC, PRINCIPALLY THOSE WHICH EMPLOY HARMONY AND ITS REFERENCE TO PARTICULAR STEPS IN THE FIELD OF SOUND, WILL BE INADEQUATE FOR THE COMPOSER, WHO WILL BE FACED WITH THE ENTIRE FIELD OF SOUND.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE; lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, CREDO/3
1930s

“Sound is defined as the result of a succession of regular and periodic vibrations. Noise is instead caused by motions that are irregular, as much in time as in intensity. 'A musical sensation,' says Helmholtz 'appears to the ear as a perfectly stable, uniform, and invariable sound.'”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

But the quality of continuity that sound has with respect to noise, which seems instead fragmentary and irregular, is not an element sufficient to make a sharp distinction between sound and noise. We know that the production of sound requires not only that a body vibrate regularly but also that these vibrations persist in the auditory nerve until the following vibration has arrived, so that the periodic vibrations blend to form a continuous musical sound. At least sixteen vibrations per second are needed for this. Now, if I succeed in producing a noise with this speed. I will get a sound made up of the totality of so many noises--or better, noise whose successive repetitions will be sufficiently rapid to give a sensation of continuity like that of sound.
Source: Russolo. English trans. Barclay Brown (1986: 37).

“Sound is the vocabulary of nature... noises are as well articulated as the words in a dictionary... Opposing the world of sound is the world of music.”

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Pierre Schaeffer 8

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