Wilfrid Sheed (1930–2011) English-American novelist and essayist
"Church," p. 120
Essays in Disguise (1990)
Anna Wulf, in "Free Women: 1"<!-- p. 59 -->
The Golden Notebook (1962)
Context: The novel has become a function of the fragmented society, the fragmented consciousness. Human beings are so divided, are becoming more and more divided, and more subdivided in themselves, reflecting the world, that they reach out desperately, not knowing they do it, for information about other groups inside their own country, let alone about groups in other countries. It is a blind grasping out for their own wholeness, and the novel-report is a means toward it.
Wilfrid Sheed (1930–2011) English-American novelist and essayist
"Church," p. 120
Essays in Disguise (1990)
Henry Adams (1838–1918) journalist, historian, academic, novelist
The Education of Henry Adams (1907)
John Gray book Straw Dogs: Thoughts on Humans and Other Animals
The Deception: Lord Jim's Jump (p. 68)
Straw Dogs: Thoughts on Humans and Other Animals (2002)
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
1960s, Playboy Interview (1969)
George Orwell (1903–1950) English author and journalist
"The Prevention of Literature" (1946)
Context: Totalitarianism, however, does not so much promise an age of faith as an age of schizophrenia. A society becomes totalitarian when its structure becomes flagrantly artificial: that is, when its ruling class has lost its function but succeeds in clinging to power by force or fraud. Such a society, no matter how long it persists, can never afford to become either tolerant or intellectually stable. It can never permit either the truthful recording of facts or the emotional sincerity that literary creation demands. But to be corrupted by totalitarianism one does not have to live in a totalitarian country. The mere prevalence of certain ideas can spread a kind of poison that makes one subject after another impossible for literary purposes. Wherever there is an enforced orthodoxy — or even two orthodoxies, as often happens — good writing stops. This was well illustrated by the Spanish civil war. To many English intellectuals the war was a deeply moving experience, but not an experience about which they could write sincerely. There were only two things that you were allowed to say, and both of them were palpable lies: as a result, the war produced acres of print but almost nothing worth reading.
Lewis H. Morgan (1818–1881) United States ethnologist
As quoted in Friedrich Engels's Origins of the Family, Private Property, and the State http://www.marxists.org/archive/marx/works/1884/origin-family/ch09.htm
Elena Ferrante (1943) Italian writer
On being told that her writing is energeticin “In a rare interview, Elena Ferrante describes the writing process behind the Neapolitan novels” https://www.latimes.com/books/la-ca-jc-elena-ferrante-interview-20180517-htmlstory.html in Los Angeles Times (2018 May 17)