“The vagueness of the title leaves room for various interpretations of its implications.”

— Kenzaburō Ōe

Japan, The Ambiguous, and Myself (1994)
Context: Kawabata Yasunari, the first Japanese writer who stood on this platform as a winner of the Nobel Prize for Literature, delivered a lecture entitled Japan, the Beautiful, and Myself. It was at once very beautiful and vague. I have used the English word vague as an equivalent of that word in Japanese aiming. This Japanese adjective could have several alternatives for its English translation. The kind of vagueness that Kawabata adopted deliberately is implied in the title itself of his lecture. It can be transliterated as "myself of beautiful Japan". The vagueness of the whole title derives from the Japanese particle "no" (literally "of") linking "Myself" and "Beautiful Japan".
The vagueness of the title leaves room for various interpretations of its implications.

Adopted from Wikiquote. Last update Oct. 2, 2023. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The vagueness of the title leaves room for various interpretations of its implications." by Kenzaburō Ōe?

Kenzaburō Ōe 43

Japanese author 1935

Related quotes

“Unknown, Incomprehensible, whateíer you choose to call it, call;
But leave it vague as airy space, dark in its darkness mystical.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)
Context: Grant an Idea, Primal Cause, the Causing Cause, why crave for more?
Why strive its depth and breadth to mete, to trace its work, its aid to íimplore?
Unknown, Incomprehensible, whateíer you choose to call it, call;
But leave it vague as airy space, dark in its darkness mystical.

“Exaggerate the essential, leave the obvious vague.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

“One should not interpret the word “Revolution” in its literal sense. Various meanings and significances are attributed to this word, according to the interests of those who use or misuse it.”

Bhagat Singh (1907–1931) Indian revolutionary

Letter published in The Tribune (25 December 1929) http://naxalrevolution.wordpress.com/2007/03/23/bhagat-singh-on-the-slogan-of-‘long-live-revolution’/
Context: One should not interpret the word “Revolution” in its literal sense. Various meanings and significances are attributed to this word, according to the interests of those who use or misuse it. For the established agencies of exploitation it conjures up a feeling of blood stained horror. To the revolutionaries it is a sacred phrase.

“The philosophers have only interpreted the world, in various ways. The point, however, is to change it.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Die Philosophen haben die Welt nur verschieden interpretirt; es kommt aber darauf an, sie zu verändern.
http://books.google.com/books?id=xyc9AAAAYAAJ&q=%22Die+Philosophen+haben+die+Welt+nur+verschieden%22+%22es+kommt+aber+darauf+an+sie+zu+ver%C3%A4ndern%22&pg=PA72#v=onepage
"Theses on Feuerbach" (1845), Thesis 11, Marx Engels Selected Works,(MESW), Volume I, p. 15; these words are also engraved upon his grave.
First published as an appendix to the pamphlet Ludwig Feuerbach and the End of Classical German Philosophy by Friedrich Engels (1886)
Source: Eleven Theses on Feuerbach

“Non-Fijian and perhaps a western interpretation could spark insensitivity from various points of view.”

Hafiz Khan Fijian politician

Maiden speech to the Senate, 24 August 2005 (excerpts)

“Myth is an extremely complex cultural reality, which can be approached and interpreted from various and complementary viewpoints.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Myth and Reality (1963)
Context: Myth is an extremely complex cultural reality, which can be approached and interpreted from various and complementary viewpoints.
Speaking for myself, the definition that seems least inadequate because most embracing is this: Myth narrates a sacred history; it relates an event that took place in primordial Time, the fabled time of the "beginnings." In other words myth tells how, through the deeds of Supernatural Beings, a reality came into existence, be it the whole of reality, the Cosmos, or only a fragment of reality — an island, a species of plant, a particular kind of human behavior, an institution. Myth, then, is always an account of a "creation"; it relates how something was produced, began to be. Myth tells only of that which really happened, which manifested itself completely. The actors in myths are Supernatural Beings. They are known primarily by what they did in the transcendent times of the "beginnings." hence myths disclose their creative activity and reveal the sacredness (or simply the "supernaturalness") of their works. In short, myths describe the various and sometimes dramatic breakthroughs of the sacred (or the "supernatural") into the World. It is this sudden breakthrough of the sacred that really establishes the World and makes it what it is today. Furthermore, it is as a result of the intervention of Supernatural Beings that man himself is what he is today, a mortal, sexed, and cultural being.