“I abandoned criticism because I am full of contradictions, and when you write an essay you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language, but in their behavior as well.”
The Paris Review interview (1984)
Context: The theater chose me. As I said, I started with poetry, and I also wrote criticism and dialogue. But I realized that I was most successful at dialogue. Perhaps I abandoned criticism because I am full of contradictions, and when you write an essay you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language, but in their behavior as well.
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Eugéne Ionesco 59
Romanian playwright 1909–1994Related quotes

“I was supposed to write a romantic comedy, but my characters broke up.”
Source: The Second Summer of the Sisterhood
“Confusing ‘Character’ with ‘Temperament’”
Clearing the Ground (1986)
Context: Character is something you forge for yourself; temperament is something you are born with and can only slightly modify. Some people have easy temperaments and weak characters; others have difficult temperaments and strong characters.
We are all prone to confuse the two in assessing people we associate with. Those with easy temperaments and weak characters are more likable than admirable; those with difficult temperaments and strong characters are more admirable than likable. Of course, the optimum for a person is to possess both an easy temperament and a strong character, but this is a rare combination, and few of us are that lucky. The people who get things done tend to be prickly, and the people we enjoy being with tend to be accepting, and there seems to be no way to get around this. Obviously, there are many combinations of character and temperament, in varying degrees, so that this is only a rough generalization — but I think it is one worth remembering when we make personal judgments.
Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), pp. 27-28

On usually including queer characters in “Interview: Mariko Tamaki” https://www.geeksout.org/2018/06/20/interview-mariko-tamaki/ in Geeks Out (2018 Jun 20)
Ronnie Appleyard to Simon (Simona) Quick in Ch. 4, p. 254
I Want It Now (1968)
On writing as a kind of spiritual act in “Both Freedom and Constraint: An Interview with Randa Abdel-Fattah” https://www.wordswithoutborders.org/article/both-freedom-and-constraint-an-interview-with in Words Without Borders (May 2015)

SLIFF 2016 Interview: Griff Furst – Director of COLD MOON http://www.wearemoviegeeks.com/2016/10/slif-2016-interview-cold-moon-director-griff-furst/ (October 31, 2016)