“Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work.”

— Jorge Luis Borges

"The Argentine Writer and Tradition", Fervor of Buenos Aires (1923)
Context: Some days past I have found a curious confirmation of the fact that what is truly native can and often does dispense with local color; I found this confirmation in Gibbon's Decline and Fall of the Roman Empire. Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work. It was written by Mohammed, and Mohammed, as an Arab, had no reason to know that camels were especially Arabian; for him they were part of reality, he had no reason to emphasize them; on the other hand, the first thing a falsifier, a tourist, an Arab nationalist would do is have a surfeit of camels, caravans of camels, on every page; but Mohammed, as an Arab, was unconcerned: he knew he could be an Arab without camels. I think we Argentines can emulate Mohammed, can believe in the possibility of being Argentine without abounding in local color.

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Jorge Luis Borges 213

Argentine short-story writer, essayist, poet and translator… 1899–1986

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https://www.cambridge.org/core/books/fitzgeralds-rubaiyat-of-omar-khayyam/le-galliennes-paraphrase-and-the-limits-of-translation/CC05D35479CE33C2E66ABA8CF51F779B Le Gallienne's Paraphrase and the Limits of Translation']' by Adam Talib

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“Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work.”

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