
Source: The Journal of John Woolman (1774), p. 36; as cited in: Ruth Marie Griffith (2008) American Religions: A Documentary History. p. 137
Source: Figures of Earth (1921), Ch. I : How Manuel Left the Mire
Context: He had a quiet way with the girls, and with the men a way of solemn, blinking simplicity which caused the more hasty in judgment to consider him a fool. Then, too, young Manuel was very often detected smiling sleepily over nothing, and his gravest care in life appeared to be that figure which Manuel had made out of marsh clay from the pool of Haranton.
This figure he was continually reshaping and realtering. The figure stood upon the margin of the pool; and near by were two stones overgrown with moss, and supporting a cross of old worm-eaten wood, which commemorated what had been done there.
Source: The Journal of John Woolman (1774), p. 36; as cited in: Ruth Marie Griffith (2008) American Religions: A Documentary History. p. 137
“Here is a girl who is pretty in a quiet way. I bet she's had a very sad life.”
Source: She's Come Undone
“Controversy equalizes fools and wise men in the same way, — and the fools know it.”
The Autocrat of the Breakfast Table (1858)
Context: Do you think I don't understand what my friend, the Professor, long ago called the hydrostatic paradox of controversy?
Don't know what it means? - Well, I will tell you. You know, that, if you had a bent tube, one arm of which was of the size of a pipe-stem, and the other big enough to hold the ocean, water would stand at the same height in one as in the other. Controversy equalizes fools and wise men in the same way, — and the fools know it.