“I get very inspired by traveling, by being home in Donegal … all those wonderful moments I'll take with me to the studio. And they, ah, then become at some stage, a melody. That emotion that I loved at some stage will evolve as a melody.”

—  Enya

KSCA interview (1996)
Context: I get very inspired by traveling, by being home in Donegal... all those wonderful moments I'll take with me to the studio. And they, ah, then become at some stage, a melody. That emotion that I loved at some stage will evolve as a melody.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I get very inspired by traveling, by being home in Donegal … all those wonderful moments I'll take with me to the studi…" by Enya?
Enya photo
Enya 70
Irish singer, songwriter, and musician 1961

Related quotes

Silvia Colloca photo

“I come from the stage so being involved with such a gigantic film was just a new thing for me which I really loved. And for sure I would love to do something like this again. There's lots of things that have opened up for me. I'll just make sure I'll make the wisest decisions because this is a very delicate moment. And someday I will go back to the stage because that's where I feel at home.”

Silvia Colloca (1977) Singer, actress, author and TV cooking personality

An Interview with Dracula and his Brides (2004)

“When entering the studio, I don't know what will happen. I do a so-called trip into myself: I sit down at the piano and the melody might start to evolve from my playing or then I might start to sing it. At that stage I do not yet have clear ideas about what kind of emotions I would like to express. Until I play the completed piece to Roma and Nicky and when I observe their reactions, the music gets its meaning…”

Enya (1961) Irish singer, songwriter, and musician

Anna interview (2005)

“The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me… The writing of a melody is an emotional moment; success doesn't make it easy.”

Enya (1961) Irish singer, songwriter, and musician

You interview (2006)

Helen Reddy photo

“There’s a moment before I walk out on stage, where it’s like electricity. And then you just go out there and it’s home. The stage is home to me.”

Helen Reddy (1941) Australian actress

On her connection to the stage
Freeman interview (September 2012)

“I'm not one for walking the beaches humming a melody … I love the discipline of sitting in the studio, writing and listening. That is my domain.”

Enya (1961) Irish singer, songwriter, and musician

The Telegraph interview (2005)

Mary Robinette Kowal photo

““These accomplishments are what make a home comfortable.”
Melody said, “I thought that a home was made comfortable by those who live in it and their regard for one another.”
“This is true, Miss Melody, but if one presumes the affection which should be in all homes, then those homes which are most comfortable are also those which possess an understanding and appreciation for the arts.””

Mary Robinette Kowal (1969) American writer and puppeteer

Source: Shades of Milk and Honey (2010), Chapter 4 (p. 54)

“It's everything. It's the walk you take in the morning, it's the night before, the meeting with people, landscapes, the chats, all of that evolves in some way into melody, but I'm not sure how it's going to happen. I'm dealing with the unknown all the time and that is exciting.”

Enya (1961) Irish singer, songwriter, and musician

The Telegraph interview (2005)
Context: There is no formula to it because writing every song, for me, is a little journey. The first note has to lift you and make you go, 'What's this?' You play C, but why is it that one day it leads to G and it didn't yesterday? I don't know. It's everything. It's the walk you take in the morning, it's the night before, the meeting with people, landscapes, the chats, all of that evolves in some way into melody, but I'm not sure how it's going to happen. I'm dealing with the unknown all the time and that is exciting.

“I'll very often just start humming my way through a scene. Say, OK the tempo should be about like this, it should pause here, it should pick up here. And very often I'll make up a little melody just to do that. About half of the little melodies in the score for Jonah are those little melodies that I made up just to use to kind of pace a scene and then we got kind of attached to them.”

Phil Vischer (1966) American puppeter

From Disc Two; The Music: The Score (00:00:17-00:00:38)
Jonah: A VeggieTales Movie DVD (2002)

John Milton photo

“Without the meed of some melodious tear.”

John Milton Lycidas

Source: Lycidas (1637), Line 14

Michael Jackson photo

“What I do when I write is that I'll do a raggedy, rough version just to hear the chorus, just to see how much I like the chorus. If it works for me that way when it's raggedy, then I'll know it will just work… Listen to that, that's at home. Janet, Randy, Me… Janet and I are going "Whoo, Whoo… Whoo, Whoo…" I do that same process with every song. It's the melody, it's the melody that's most important, If the melody can sell me, then I'll go to the next step. The idea is to transcribe from what's in your mentality onto tape. If you take a song like "Billie Jean," Where the bass line is the prominent, dominant piece, the protagonist of the song, the main driving riff that you hear, getting the character of the riff to be just the way you want it to be, that takes a lot of time. Listen, you're hearing four basses on there, doing four different personalities, and that's what gives it character, but it takes a lot of work.”

Michael Jackson (1958–2009) American singer, songwriter and dancer

On listening to an early version of Billie Jean on an iPhone
Ebony interview (2007)

Related topics