“John Cage and I became interested in the use of chance in the 50's. I think one of the very primary things that happened then was the publication of the "I Ching," the Chinese book of changes, from which you can cast your fortune: the hexagrams.”

Merce Cunningham, A Lifetime of Dance, 2000

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Merce Cunningham5

American dancer 1919–2009

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“Cage took it to work in his way of making compositions then; and he used the idea of 64—the number of the hexagrams —to say that you had 64, for example, sounds; then you could cast, by chance, to find which sound first appeared, cast again, to say which sound came second, cast again, so that it's done by, in that sense, chance operations. Instead of finding out what you think should follow—say a particular sound—what did the I Ching suggest? Well, I took this also for dance.”

Merce Cunningham (1919–2009) American dancer

Merce Cunningham, A Lifetime of Dance, 2000

“Once, I made a kind of sculpture of a flag in bronze: it was an edition of three, I think. One of them was given on some occasion to President Kennedy. I became very upset that this was happening. It was given on Flag Day! (he laughs). It seemed to me to be such a terrible thing to happen. I complained bitterly to my very good friend John Cage, [the composer]. He said: "Don't let it worry you. Just consider it as a pun on your work."”

Jasper Johns (1930) American artist

he laughs
Jasper Johns Interviewed/ Jasper Johns interviewed Part II, Peter Fuller, Art Montly, London, August/September 1978
1970s

“Then he asked if I didn’t like things changing. And I said I wouldn’t mind things changing if I became an astronaut, for example, which is one of the biggest changes you can imagine, apart from becoming a girl or dying.”

Mark Haddon book The Curious Incident of the Dog in the Night-Time

Source: The Curious Incident of the Dog in the Night-Time

“The name [Pop] sounds so awful. Dada must have something to do with Pop. it's so funny, the names are really synonyms. Does anyone know what they're supposed to mean or have to do with, those names? Johns and Rauschenberg, Neo-Dada for all those years, and everyone calling them derivative and unable to transform the things they use, are now called progenitors of Pop. It's funny the way things change. I think John Cage has been very influential, and Merce Cunningham too, I think.... History books are being rewritten all the time.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

“Very broadly, I think one writes and rewrites the same book. I lead a character from book to book, I continue along with the same ideas. Only the angle of vision, the method, the lighting, change.”

Françoise Sagan (1935–2004) French writer

Paris Review interview (1956)

“I know when I was a kid, I used to look at these pictures and listen to the songs of the Gay Nineties, and I used to say to my mother, 'Oh, I wish I had lived then; it was so gay and so wonderful.' […] Now [the Jazz Age] seems very mysterious and wonderful to you, kids, and when you have kids, they'll say, 'Gee, Dad, those 50's, they were something.' […] I really think it goes in cycles. When your kids come in and say 'Gee, Dad, I wish we had done that,' and so on and so forth, it's the same thing. I don't think it's changed a great deal.”

Helen Kane (1904–1966) American actress

1959 interview. https://archive.org/details/HelenKaneInterview

“You have obviously had a very distinguished record, and I certainly commend you for long service in the public interest. I think it is a very commendable career and I am sure you will have a successful one as a judge.”

Samuel Alito (1950) Associate Justice of the Supreme Court of the United States

Sen. Ted Kennedy, speaking on Alito's nomination to the 3rd Circuit Court of Appeals. Committee On The Judiciary, U.S. Senate, Hearing, [1990-04-05].

“I don’t think John Edwards knows what the heck he is talking about. John Edwards wants you and all the Democrats to think, ‘I want us out of there,’ but when you come back and you say, ‘O. K., John. What about the chaos that will ensue? Do we have any interest, John, left in the region?’ Well, John will have to answer yes or no. If he says yes, what are they? What are those interests, John? How do you protect those interests, John, if you are completely withdrawn? Are you withdrawn from the region, John? Are you withdrawn from Iraq, John? In what period? So all this stuff is like so much Fluffernutter out there. So for me, what I think you have to do is have a strategic notion. And they may have it—they are just smart enough not to enunciate it.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Speaking on Edwards' position for immediate withdrawal of about 40,000 American troops from Iraq (February 5, 2007), reported in the New York Observer http://www.observer.com/20070205/20070205_Jason_Horowitz_pageone_newsstory1-2.html <br class="br">2000s

“Every once in a while a revolutionary product comes along that changes everything. It's very fortunate if you can work on just one of these in your career. … Apple's been very fortunate in that it's introduced a few of these.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Announcing the introduction of the iPhone, as quoted in Apple unveils cell phone, Apple TV http://www.msnbc.msn.com/id/16542805/ (9 January 2007) <br class="br">2000s

“Things keep changing and things keep happening. I never really run out of ideas. I guess as long as I'm interested, I'll be interesting.”

Ellen Goodman (1941) American journalist and writer

Attributed

“John Cage and I became interested in the use of chance in the 50's. I think one of the very primary things that happened then was the publication of the "I Ching," the Chinese book of changes, from which you can cast your fortune: the hexagrams.”

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Merce Cunningham5

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