1922
Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 85-86
1920 – 1926
“The art of management has been defined, "As knowing exactly what you want men to do, and then seeing that they do it in the best and cheapest way." No concise definition can fully describe an art, but the relations between employers and men form without question the most important part of this art. In considering the subject, therefore, until this part of the problem has been fully discussed, the remainder of the art may be left in the background.”
Source: Shop Management, 1903, p. 1343.
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Frederick Winslow Taylor 22
American mechanical engineer and tennis player 1856–1915Related quotes
“Ai Weiwei’s Year of Living Dangerously.” Art in America, September 2009, 28.
2000-09, 2009
“Logic is the most useful tool of all the arts. Without it no science can be fully known.”
Summa Logicae (c. 1323), Prefatory Letter, as translated by Paul Vincent Spade (1995) http://www.pvspade.com/Logic/docs/ockham.pdf
Context: Logic is the most useful tool of all the arts. Without it no science can be fully known. It is not worn out by repeated use, after the manner of material tools, but rather admits of continual growth through the diligent exercise of any other science. For just as a mechanic who lacks a complete knowledge of his tool gains a fuller [knowledge] by using it, so one who is educated in the firm principles of logic, while he painstakingly devotes his labor to the other sciences, acquires at the same time a greater skill at this art.
"Avant-garde and Kitsch" (p. 86)
Modern Culture (2000)
Japan, The Ambiguous, and Myself (1994)
Context: "The voice of a crying and dark soul" is beautiful, and his act of expressing it in music cures him of his dark sorrow in an act of recovery. Furthermore, his music has been accepted as one that cures and restores his contemporary listeners as well. Herein I find the grounds for believing in the exquisite healing power of art.
This belief of mine has not been fully proved. 'Weak person' though I am, with the aid of this unverifiable belief, I would like to "suffer dully all the wrongs" accumulated throughout the twentieth century as a result of the monstrous development of technology and transport. As one with a peripheral, marginal and off-centre existence in the world I would like to seek how — with what I hope is a modest decent and humanist contribution — I can be of some use in a cure and reconciliation of mankind.
As quoted in Max Ernst: Sculptures (1996) by Max Ernst, Jürgen Pech, and Ida Gianelli, p. 11
posthumous
Per arte e per inganno
Si vive mezzo l’anno;
Per inganno e per arte
Si vive l’altra parte.
L’Esaltazion della Croce, Act IV., Scene IX.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 390.
Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27